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Anna Dawson (b. 1937)

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Birthplace:
Bolton, Lancashire, United Kingdom

Born:
July 27, 1937

Biography from TheMovieDB

Born in Bolton, Lancashire, Dawson spent part of her childhood in Tanganyika, where her father worked. She attended the Elmhurst Ballet School and after training at the Central School of Speech and Drama she learned her craft by playing in repertory theatre companies.  Dawson went on to star in several West End musicals. She featured in episodes of Dixon of Dock Green during the 1960s, The Benny Hill Show during the 1980s, and played Hyacinth Bucket's sister Violet ("the one with the Mercedes, sauna and room for a pony") in the final series of the sitcom Keeping Up Appearances, though her character was only featured on screen briefly in four episodes.  Dawson is married to former Black and White Minstrel Show soloist John Boulter.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.