A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina.
Born:
September 25, 1941
Died:
May 27, 1976
Raymundo Gleyzer was an Argentine film critic, director and activist. He specialized in documentaries and untiringly worked for making films that showed the world the adversities that Latin American people faced. Along with other activists and filmmakers, he created the group "Cine de la Base". Using the camera as a combat weapon, they had to work clandestinely. He was kidnapped and disappeared by the military dictatorship that ruled Argentina from 1976 to 1983.
Camera Operator:
1966 Quilino
1967 Marabunta
1983 El búho
Director:
1963 El ciclo
1964 The Land Burns
1965 It Happened in Hualfin
1965 Pictografías del Cerro Colorado
1965 The Pottery Makers
1966 Our Malvinas Islands
1966 Quilino
1967 Marabunta
1971 Swift, 1971
1972 Comunicado Cinematografico del ERP Nº2: Banco Nacional de Desarrollo
1972 Don't Forget, Don't Forgive
1973 Mexico: The Frozen Revolution
1973 The Traitors
1974 They Kill Me If I Don't Work and If I Work They Kill Me
1983 El búho
Director of Photography:
1963 El ciclo
1964 The Land Burns
1965 It Happened in Hualfin
1965 Pictografías del Cerro Colorado
1965 The Pottery Makers
1966 Carta de Ramona
1966 Our Malvinas Islands
1966 Quilino
1967 Marabunta
1971 Swift, 1971
1972 Comunicado Cinematografico del ERP Nº2: Banco Nacional de Desarrollo
1972 Don't Forget, Don't Forgive
1973 Mexico: The Frozen Revolution
1973 The Traitors
1974 They Kill Me If I Don't Work and If I Work They Kill Me
1983 El búho
Editor:
1963 El ciclo
1964 The Land Burns
1965 It Happened in Hualfin
1965 Pictografías del Cerro Colorado
1965 The Pottery Makers
1966 Carta de Ramona
1966 Our Malvinas Islands
1966 Quilino
1967 Marabunta
1971 Swift, 1971
1972 Comunicado Cinematografico del ERP Nº2: Banco Nacional de Desarrollo
1972 Don't Forget, Don't Forgive
1973 Mexico: The Frozen Revolution
1973 The Traitors
1974 They Kill Me If I Don't Work and If I Work They Kill Me
1983 El búho
Script:
1963 El ciclo
1964 The Land Burns
1965 It Happened in Hualfin
1965 Pictografías del Cerro Colorado
1965 The Pottery Makers
1966 Carta de Ramona
1966 Our Malvinas Islands
1966 Quilino
1967 Marabunta
1971 Swift, 1971
1972 Comunicado Cinematografico del ERP Nº2: Banco Nacional de Desarrollo
1972 Don't Forget, Don't Forgive
1973 Mexico: The Frozen Revolution
1973 The Traitors
1974 They Kill Me If I Don't Work and If I Work They Kill Me
1983 El búho
Writer:
1963 El ciclo
1964 The Land Burns
1965 It Happened in Hualfin
1965 Pictografías del Cerro Colorado
1965 The Pottery Makers
1966 Carta de Ramona
1966 Our Malvinas Islands
1966 Quilino
1967 Marabunta
1971 Swift, 1971
1972 Comunicado Cinematografico del ERP Nº2: Banco Nacional de Desarrollo
1972 Don't Forget, Don't Forgive
1973 Mexico: The Frozen Revolution
1973 The Traitors
1974 They Kill Me If I Don't Work and If I Work They Kill Me
1983 El búho
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.