A work in constant progress (and occasional regress).
Alias:
John Hayward Williams
Birthplace:
New York City, New York, USA
Born:
June 17, 1953
From Wikipedia, the free encyclopedia. John H. Williams is an American Film Producer known for his work both in live-action and in animation. He is famous for co-producing the 2001 animated feature Shrek. He is founder and owner of his own company, Vanguard Films. In 2001 shortly after working on Shrek, Williams founded Vanguard Animation and started working on projects such as Valiant (2005), Happily N'Ever After (2007), Space Chimps (2008) and it's sequel Space Chimps 2: Zartog Strikes Back. He is making his first directorial debut on Space Chimps 2. Description above from the Wikipedia article John H. Williams, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Co-Executive Producer:
2011 Puss in Boots
Co-Producer:
1988 Apprentice to Murder
2011 Puss in Boots
Director:
1988 Apprentice to Murder
2010 Space Chimps 2: Zartog Strikes Back
2011 Puss in Boots
Executive Producer:
1988 Apprentice to Murder
2007 Shrek the Third
2010 Shrek Forever After
2010 Space Chimps 2: Zartog Strikes Back
2011 Puss in Boots
2012 On the Road
2015 Get Squirrely
Producer:
1984 True West
1986 Rocket to the Moon
1988 Apprentice to Murder
1991 The Grapes of Wrath
1997 Seven Years in Tibet
2001 Shrek
2002 The Junction Boys
2002 The Tuxedo
2004 Shrek 2
2005 Valiant
2007 Happily N'Ever After
2007 Shrek the Third
2008 Space Chimps
2010 Shrek Forever After
2010 Space Chimps 2: Zartog Strikes Back
2011 Puss in Boots
2012 On the Road
2015 Get Squirrely
2017 Gnome Alone
2018 Charming
2020 Fearless
2023 Rally Road Racers
Producer:
1982 American Playhouse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.