A work in constant progress (and occasional regress).
Birthplace:
Langenhagen, Germany
Born:
November 24, 1966
Christoph Giradet (1966, Germany) studied at the Braunschweig School of Art and lives and works in Hannover. Since 1989 he has made over twenty videos, films and installations, often in collaboration with video artist Volker Schreiner and filmmaker Matthias Müller.
Camera Operator:
1997 No Sunshine
Director:
1997 No Sunshine
1999 Phoenix Tapes
2002 Beacon
2002 Manual
2003 Mirror
2003 Play
2004 60 Seconds
2004 Absence
2005 Catch
2005 Ray
2006 Hide
2006 Kristall
2006 Nero
2009 Contre-jour
2010 Maybe Siam
2011 Meteor
2012 The Eternal Lesson
2013 Cut
2013 Fabric
2016 Personne
2018 Screen
2021 Misty Picture
2022 No animal
???? It Was Still Her Face
Editor:
1997 No Sunshine
1999 Phoenix Tapes
2001 Phantom
2002 Beacon
2002 Manual
2003 Mirror
2003 Play
2004 60 Seconds
2004 Absence
2005 Catch
2005 Ray
2006 Hide
2006 Kristall
2006 Nero
2009 Contre-jour
2010 Maybe Siam
2011 Meteor
2012 The Eternal Lesson
2013 Cut
2013 Fabric
2016 Personne
2018 Screen
2021 Misty Picture
2022 No animal
???? It Was Still Her Face
Lighting Artist:
1997 No Sunshine
1999 Phoenix Tapes
2001 Phantom
2002 Beacon
2002 Manual
2003 Mirror
2003 Play
2004 60 Seconds
2004 Absence
2005 Catch
2005 Ray
2006 Hide
2006 Kristall
2006 Nero
2009 Contre-jour
2010 Maybe Siam
2011 Meteor
2012 The Eternal Lesson
2013 Cut
2013 Fabric
2016 Personne
2018 Screen
2021 Misty Picture
2022 No animal
???? It Was Still Her Face
Producer:
1997 No Sunshine
1999 Phoenix Tapes
2001 Phantom
2002 Beacon
2002 Manual
2003 Mirror
2003 Play
2004 60 Seconds
2004 Absence
2005 Catch
2005 Ray
2006 Hide
2006 Kristall
2006 Nero
2009 Contre-jour
2010 Maybe Siam
2011 Meteor
2012 The Eternal Lesson
2013 Cut
2013 Fabric
2016 Personne
2018 Screen
2021 Misty Picture
2022 No animal
???? It Was Still Her Face
Sound:
1997 No Sunshine
1999 Phoenix Tapes
2001 Phantom
2002 Beacon
2002 Manual
2003 Mirror
2003 Play
2004 60 Seconds
2004 Absence
2005 Catch
2005 Ray
2006 Hide
2006 Kristall
2006 Nero
2009 Contre-jour
2010 Maybe Siam
2011 Meteor
2012 The Eternal Lesson
2013 Cut
2013 Fabric
2016 Personne
2018 Screen
2021 Misty Picture
2022 No animal
???? It Was Still Her Face
Sound Designer:
1997 No Sunshine
1999 Phoenix Tapes
2001 Phantom
2002 Beacon
2002 Manual
2003 Mirror
2003 Play
2004 60 Seconds
2004 Absence
2005 Catch
2005 Ray
2006 Hide
2006 Kristall
2006 Nero
2009 Contre-jour
2010 Maybe Siam
2011 Meteor
2012 The Eternal Lesson
2013 Cut
2013 Fabric
2016 Personne
2018 Screen
2021 Misty Picture
2022 No animal
???? It Was Still Her Face
Writer:
1997 No Sunshine
1999 Phoenix Tapes
2001 Phantom
2002 Beacon
2002 Manual
2003 Mirror
2003 Play
2004 60 Seconds
2004 Absence
2005 Catch
2005 Ray
2006 Hide
2006 Kristall
2006 Nero
2009 Contre-jour
2010 Maybe Siam
2011 Meteor
2012 The Eternal Lesson
2013 Cut
2013 Fabric
2016 Personne
2018 Screen
2021 Misty Picture
2022 No animal
???? It Was Still Her Face
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.