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Mattie Do

Birthplace:
Los Angeles, California, USA

Biography from TheMovieDB

Mattie Do is a Laotian American film director. Do was born in Los Angeles, California, to immigrant parents who left Laos during the communist revolution. Do returned to Vientiane in 2010 with her husband to take care of her retired father. She trained originally as a make-up artist and worked on film productions in Europe and America before becoming a consultant to the oldest film company in Laos, Lao Art Media, upon her return in 2010.  She is Laos's first and only female film director and the first horror film director from Laos. Do's second feature film, Dearest Sister (2016), (Lao: ນ້ອງຮັກ) was chosen to attend the 2014 Cannes Film Festival as part of the La Fabrique des Cinémas du monde program and was selected as the Laotian entry for the Best Foreign Language Film at the 90th Academy Awards, the first time that Laos submitted a film for consideration in this category. It was screened at more than 20 film festivals and was selected by Laos as its first Oscars submission for Best Foreign Language Film. Description above from the Wikipedia article Mattie Do, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Performances

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Film Production

Co-Producer:
2016  Bangkok Nites

Director:
2013  Chanthaly
2016  Bangkok Nites
2016  Dearest Sister
2019  The Long Walk

Makeup Artist:
2013  Chanthaly
2016  Bangkok Nites
2016  Dearest Sister
2019  The Long Walk

Producer:
2013  Chanthaly
2016  Bangkok Nites
2016  Dearest Sister
2016  River
2019  The Long Walk

Sound Editor:
2013  Chanthaly
2016  Bangkok Nites
2016  Dearest Sister
2016  River
2019  The Long Walk

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TV Production

Story:
2019  Creepshow

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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