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Tamás Lajos (b. 1964)

Birthplace:
Pécs, Hungary

Born:
April 19, 1964

Additional information:

The Search Form


Film Production

Camera Operator:
2008  Para

Director of Photography:
1996  Elektra Kft. avagy: bevezetés a kapitalizmus politikai gazdaságtanába
2006  Day of Wrath
2008  Para

Producer:
1996  Elektra Kft. avagy: bevezetés a kapitalizmus politikai gazdaságtanába
2006  Day of Wrath
2008  Para
2013  Szabadság - Különjárat
2013  The Unbeatables
2014  The Ambassador to Bern
2015  Demimonde
2015  The Curse of The Black Mummy
2016  The Grey War
2017  Árulók
2018  Eternal Winter
2018  Trezor
2019  Tall Tales
2019  Vadon világ - Gróf Széchenyi Zsigmond nyomában
2020  Post Mortem
2021  A bereki ember
2021  Kittenberger - Az utolsó vadászat
2021  Perfect as You Are
2022  Attila, Isten ostora
2022  Blockade
2022  Katinka The Movie
2022  Skylark
2022  The Courtship
2022  The Game
2023  Cziffra 100 - Tele van a két kezem boldogsággal
2023  Semmelweis
2024  Ma este gyilkolunk

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.