A work in constant progress (and occasional regress).
Birthplace:
New York, New York
Born:
January 1, 1972
Yoruba Richen (born 1972) is a film director, screenwriter and producer. She produced and directed The New Black (2013), which won the audience award at AFI Docs, Frameline Film Festival and Philly Q Fest. It also won best documentary at Urbanworld Film Festival. The New Black was nominated for an NAACP Image Award and a GLAAD Media Award for Outstanding Documentary. She is director of the documentary program at the CUNY Graduate School of Journalism. From Wikipedia, the free encyclopedia
Consulting Producer:
2022 Storming Caesars Palace
Director:
2009 Promised Land
2013 The New Black
2018 Crooked Lines
2019 American Factory: A Conversation with the Obamas
2019 The Green Book: Guide to Freedom
2020 The Killing of Breonna Taylor
2020 The Sit-In: Harry Belafonte Hosts The Tonight Show
2021 How It Feels to Be Free
2022 American Reckoning
2022 Storming Caesars Palace
2022 The Rebellious Life of Mrs. Rosa Parks
2023 The Cost of Inheritance
2024 American Coup: Wilmington 1898
Executive Producer:
2009 Promised Land
2013 The New Black
2018 Crooked Lines
2019 American Factory: A Conversation with the Obamas
2019 The Green Book: Guide to Freedom
2020 The Killing of Breonna Taylor
2020 The Sit-In: Harry Belafonte Hosts The Tonight Show
2021 How It Feels to Be Free
2022 American Reckoning
2022 Storming Caesars Palace
2022 The Rebellious Life of Mrs. Rosa Parks
2023 The Cost of Inheritance
2024 American Coup: Wilmington 1898
Field Director:
2009 Promised Land
2013 The New Black
2018 Crooked Lines
2019 American Factory: A Conversation with the Obamas
2019 The Green Book: Guide to Freedom
2020 And She Could Be Next
2020 The Killing of Breonna Taylor
2020 The Sit-In: Harry Belafonte Hosts The Tonight Show
2021 How It Feels to Be Free
2022 American Reckoning
2022 Storming Caesars Palace
2022 The Rebellious Life of Mrs. Rosa Parks
2023 The Cost of Inheritance
2024 American Coup: Wilmington 1898
Producer:
2009 Promised Land
2013 The New Black
2014 Out in the Night
2018 Crooked Lines
2019 American Factory: A Conversation with the Obamas
2019 The Green Book: Guide to Freedom
2020 And She Could Be Next
2020 The Killing of Breonna Taylor
2020 The Sit-In: Harry Belafonte Hosts The Tonight Show
2021 How It Feels to Be Free
2022 American Reckoning
2022 Storming Caesars Palace
2022 The Rebellious Life of Mrs. Rosa Parks
2023 The Cost of Inheritance
2024 American Coup: Wilmington 1898
Writer:
2009 Promised Land
2013 The New Black
2014 Out in the Night
2018 Crooked Lines
2019 American Factory: A Conversation with the Obamas
2019 The Green Book: Guide to Freedom
2020 And She Could Be Next
2020 The Killing of Breonna Taylor
2020 The Sit-In: Harry Belafonte Hosts The Tonight Show
2021 How It Feels to Be Free
2022 American Reckoning
2022 Storming Caesars Palace
2022 The Rebellious Life of Mrs. Rosa Parks
2023 The Cost of Inheritance
2024 American Coup: Wilmington 1898
Director:
1988 American Experience
2020 The New York Times Presents
Producer:
1988 American Experience
2020 The New York Times Presents
Writer:
1988 American Experience
2020 The New York Times Presents
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.