A work in constant progress (and occasional regress).
Alias:
凯茜·德博诺
Birthplace:
Yonkers, New York, USA
Born:
March 20, 1970
Cathy DeBuono (born March 20, 1970) is an American actress and former athlete. As an athlete, she started a career as a successful volleyball player and received several awards and medals, such as two gold medals at the United States Olympic Festival in 1991 and 1992. Between 1988 and 1991 she attended the University of Kentucky on a full athletic scholarship for volleyball, played middle blocker and broke several records during her active playing days. She was forced to end her career as a volleyball player due to a knee injury. After this, DeBuono started her acting career, and she performed in a stage play directed by a former student, Ashley Judd. She studied at the American Academy of Dramatic Arts and graduated in 1994. In 2003 she earned a master degree in clinical psychology. She appeared in the last three seasons of Star Trek: Deep Space Nine as M'Pella. She has worked as a stand-in, photo double, and body double for Terry Farrell. DeBuono received no on-screen credits until her final appearance in the episode The Dogs of War. DeBuono also appeared as a background regular in several episodes of the television series Chicago Hope as a paramedic. DeBuono was involved in the comedy series Jenny, The Pretender, Pacific Blue, Martial Law, Becker and Exes and Oh's. She has also appeared in a few films, including the short project Gay Propaganda (2002) and the award-winning Out at the Wedding (2007), the romantic comedy And Then Came Lola (2008), and the short drama Tremble & Spark (2008). For the short film The Touch, by Jane Clark, she worked as associate producer and still photographer. From Wikipedia, the free encyclopedia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.