A work in constant progress (and occasional regress).
Costumer:
2007 Endo
Production Design:
2007 Endo
2013 Anita's Last Cha-Cha
2014 3rd Is My 1st
2014 Dementia
2014 Lorna
2016 A Lullaby to the Sorrowful Mystery
2016 Best. Partee. Ever.
2016 Contestant #4
2016 Star Na Si Van Damme Stallone
2016 The Woman Who Left
2017 Respect
2018 Doors: Team B Terror
2018 Season of the Devil
2019 Kaputol
2019 Tía Madré
2020 Genus Pan
2020 The Missing
2021 City of Flowers
Production Designer:
2007 Endo
2013 Anita's Last Cha-Cha
2014 3rd Is My 1st
2014 Dementia
2014 Lorna
2016 A Lullaby to the Sorrowful Mystery
2016 Best. Partee. Ever.
2016 Contestant #4
2016 Star Na Si Van Damme Stallone
2016 The Woman Who Left
2017 Respect
2018 Doors: Team B Terror
2018 Doors: The Door Beneath the Earth
2018 Season of the Devil
2019 Kaputol
2019 Tía Madré
2020 Genus Pan
2020 The Missing
2021 City of Flowers
2021 Momshies! Your Soul is Mine
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.