A work in constant progress (and occasional regress).
Birthplace:
Princeton, New Jersey, USA
From Wikipedia, the free encyclopedia Paul Josiah Devlin is a sports editor and documentary filmmaker. A five-time Emmy winner for his work on NBC's Olympics and CBS's Tour de France, Paul Devlin's films include Power Trip, which screened in 60 countries, theatrically across the United States and on PBS's Independent Lens, was nominated for an Independent Spirit Award, and has won 10 film festival awards, including top prizes at Berlin, Hot Docs-Toronto, and Florida. Paul also made the award-winning film SlamNation, which follows the fierce competition at the National Poetry Slam and helped popularize the dynamic genre with its release in theaters and on HBO/Cinemax and Encore/Starz. An interview with Devlin compromises an entire chapter in the book Words In Your Face: A Guided Tour through the New York City Poetry Slam, which refers to the book as "Slam's Second Bible." Paul's second film - Power Trip - captures a clash of culture that combusts, when an American energy company, AES, must transform the dysfunctional electricity distribution system in Tbilisi, capital of the former Soviet Republic of Georgia. Power Trip was nominated for the 2004 Independent Spirit Award for Best Documentary. Power Trip is available on home and educational DVD, as well as for download on iTunes. Paul's latest film is BLAST!, which follows a team of international astrophysicists led by Paul's brother, Dr. Mark Devlin, as they attempt to launch a telescope on a NASA high altitude balloon. BLAST! is currently in being screened theatrically and the home DVD will be released in the fall of 2010. BLAST! is the first film to ever partner with the website ArtistShare - a website that allows fans to support the work of their favorite artists. Devlin's current project is titled Super Star Dumb, and is a documentary which follows the rock-and-roll career of the Loaded Poets, a band from North Brunswick, NJ. The film documents the band's struggle for success and the member's continued dream of rock and roll fame. The band also appeared in Devlin's first film Rockin' Brunswick, which documented the 1980's New Brunswick, NJ music scene. Paul's other credits include his fiction film The Eyes of St. Anthony and his work as producing editor on the Organic film FREESTYLE: The Art of Rhyme, broadcast on VH1 and winner of the Special Jury Award for Documentary Filmmaking at the Florida Film Festival. As an editor, Paul’s credits include commercials, music videos, television shows, and major sports broadcasts, including CBS's Super Bowls and ABC/ESPN's World Cup Soccer. Description above from the Wikipedia article Paul Devlin (filmmaker), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Cinematography:
2003 Power Trip
Director:
1991 The Eyes of St. Anthony
1998 SlamNation
2003 Power Trip
2008 BLAST!
2014 The Front Man
Editor:
1991 The Eyes of St. Anthony
1998 SlamNation
2003 Power Trip
2008 BLAST!
2014 The Front Man
2018 One Million American Dreams
Producer:
1991 The Eyes of St. Anthony
1998 SlamNation
2000 Freestyle: The Art of Rhyme
2003 Power Trip
2008 BLAST!
2014 The Front Man
2018 One Million American Dreams
Writer:
1991 The Eyes of St. Anthony
1998 SlamNation
2000 Freestyle: The Art of Rhyme
2003 Power Trip
2008 BLAST!
2014 The Front Man
2018 One Million American Dreams
Editorial Services:
2011 The Beauty of Books
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.