A work in constant progress (and occasional regress).
Chris Kennedy is an independent filmmaker, programmer and writer currently living in Toronto. He programmed film, video and live performance for the Images Festival from 2003-06 and served on the screening collective for Pleasure Dome from 2000-06. His short experimental films have screened at over 75 film festivals worldwide and he has presented film programs in Egypt, Belgium, Germany, the US and Canada. He holds an MFA from the San Francisco Art Institute, where he was co-founder and host of a weekly film salon. His work as an artist and programmer operates in dialogue with the history of film as art, exploring the medium's materiality in a contemporary context.
Director:
2004 4x8x3
2005 Jane's Window
2006 Late Spring
2006 Memo to Pic Desk
2007 Lombard
2007 Tape Film
2007 The Acrobat
2008 Simultaneous Contrast
2009 Gladstone
2009 Lay Claim to an Island
2009 Tamalpais
2011 349 (for Sol LeWitt)
2011 Colonnade
2011 Genesee
2011 One Roll in the Blackness
2011 Schuh Schnell Service
2012 Phantoms
2012 Towards a Vanishing Point
2013 Brimstone Line
2016 Monte de San Pedro
2017 Watching the Detectives
2020 The Initiation Well
2020 Trent-Severn
2022 The North Sea
2023 Lines Drawn
2023 Origin of Species
2024 Go Between
Editor:
2004 4x8x3
2005 Jane's Window
2006 Late Spring
2006 Memo to Pic Desk
2007 Lombard
2007 Tape Film
2007 The Acrobat
2008 Simultaneous Contrast
2009 Gladstone
2009 Lay Claim to an Island
2009 Tamalpais
2011 349 (for Sol LeWitt)
2011 Colonnade
2011 Genesee
2011 One Roll in the Blackness
2011 Schuh Schnell Service
2012 Phantoms
2012 Towards a Vanishing Point
2013 Brimstone Line
2016 Monte de San Pedro
2017 Watching the Detectives
2020 The Initiation Well
2020 Trent-Severn
2022 The North Sea
2023 Lines Drawn
2023 Origin of Species
2024 Go Between
Screenplay:
2004 4x8x3
2005 Jane's Window
2006 Late Spring
2006 Memo to Pic Desk
2007 Lombard
2007 Tape Film
2007 The Acrobat
2008 Simultaneous Contrast
2009 Gladstone
2009 Lay Claim to an Island
2009 Tamalpais
2011 349 (for Sol LeWitt)
2011 Colonnade
2011 Genesee
2011 One Roll in the Blackness
2011 Schuh Schnell Service
2012 Phantoms
2012 Towards a Vanishing Point
2013 Brimstone Line
2016 Monte de San Pedro
2017 Watching the Detectives
2020 The Initiation Well
2020 Trent-Severn
2022 The North Sea
2023 Lines Drawn
2023 Origin of Species
2024 Go Between
Writer:
2004 4x8x3
2005 Jane's Window
2006 Late Spring
2006 Memo to Pic Desk
2007 Lombard
2007 Tape Film
2007 The Acrobat
2008 Simultaneous Contrast
2009 Gladstone
2009 Lay Claim to an Island
2009 Tamalpais
2011 349 (for Sol LeWitt)
2011 Colonnade
2011 Genesee
2011 One Roll in the Blackness
2011 Schuh Schnell Service
2012 Phantoms
2012 Towards a Vanishing Point
2013 Brimstone Line
2016 Monte de San Pedro
2017 Watching the Detectives
2020 The Initiation Well
2020 Trent-Severn
2022 The North Sea
2023 Lines Drawn
2023 Origin of Species
2024 Go Between
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.