Chris Kennedy

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Chris Kennedy is an independent filmmaker, programmer and writer currently living in Toronto. He programmed film, video and live performance for the Images Festival from 2003-06 and served on the screening collective for Pleasure Dome from 2000-06. His short experimental films have screened at over 75 film festivals worldwide and he has presented film programs in Egypt, Belgium, Germany, the US and Canada. He holds an MFA from the San Francisco Art Institute, where he was co-founder and host of a weekly film salon. His work as an artist and programmer operates in dialogue with the history of film as art, exploring the medium's materiality in a contemporary context.

Additional information:

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Director:
2004  4x8x3
2005  Jane's Window
2006  Late Spring
2006  Memo to Pic Desk
2007  Lombard
2007  Tape Film
2007  The Acrobat
2008  Simultaneous Contrast
2009  Gladstone
2009  Lay Claim to an Island
2009  Tamalpais
2011  349 (for Sol LeWitt)
2011  Colonnade
2011  Genesee
2011  One Roll in the Blackness
2011  Schuh Schnell Service
2012  Phantoms
2012  Towards a Vanishing Point
2013  Brimstone Line
2016  Monte de San Pedro
2017  Watching the Detectives
2020  The Initiation Well
2020  Trent-Severn
2022  The North Sea
2023  Lines Drawn
2023  Origin of Species
2024  Go Between

Editor:
2004  4x8x3
2005  Jane's Window
2006  Late Spring
2006  Memo to Pic Desk
2007  Lombard
2007  Tape Film
2007  The Acrobat
2008  Simultaneous Contrast
2009  Gladstone
2009  Lay Claim to an Island
2009  Tamalpais
2011  349 (for Sol LeWitt)
2011  Colonnade
2011  Genesee
2011  One Roll in the Blackness
2011  Schuh Schnell Service
2012  Phantoms
2012  Towards a Vanishing Point
2013  Brimstone Line
2016  Monte de San Pedro
2017  Watching the Detectives
2020  The Initiation Well
2020  Trent-Severn
2022  The North Sea
2023  Lines Drawn
2023  Origin of Species
2024  Go Between

Screenplay:
2004  4x8x3
2005  Jane's Window
2006  Late Spring
2006  Memo to Pic Desk
2007  Lombard
2007  Tape Film
2007  The Acrobat
2008  Simultaneous Contrast
2009  Gladstone
2009  Lay Claim to an Island
2009  Tamalpais
2011  349 (for Sol LeWitt)
2011  Colonnade
2011  Genesee
2011  One Roll in the Blackness
2011  Schuh Schnell Service
2012  Phantoms
2012  Towards a Vanishing Point
2013  Brimstone Line
2016  Monte de San Pedro
2017  Watching the Detectives
2020  The Initiation Well
2020  Trent-Severn
2022  The North Sea
2023  Lines Drawn
2023  Origin of Species
2024  Go Between

Writer:
2004  4x8x3
2005  Jane's Window
2006  Late Spring
2006  Memo to Pic Desk
2007  Lombard
2007  Tape Film
2007  The Acrobat
2008  Simultaneous Contrast
2009  Gladstone
2009  Lay Claim to an Island
2009  Tamalpais
2011  349 (for Sol LeWitt)
2011  Colonnade
2011  Genesee
2011  One Roll in the Blackness
2011  Schuh Schnell Service
2012  Phantoms
2012  Towards a Vanishing Point
2013  Brimstone Line
2016  Monte de San Pedro
2017  Watching the Detectives
2020  The Initiation Well
2020  Trent-Severn
2022  The North Sea
2023  Lines Drawn
2023  Origin of Species
2024  Go Between

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.