A work in constant progress (and occasional regress).
Birthplace:
Veracruz, Mexico
Born:
October 17, 1969
Born in Veracruz, Mexico, in 1969, he is a graduate from the Center for Studies in Communication Sciences and later from the University Center for Cinematographic Studies (CUEC) of the National Autonomous University of Mexico. In 2007, his first feature, Blue Eyelids, is nominated to the Caméra d'Or of the 60th Cannes Film Festival as part of the official selection of the International Critics' Week. The film participates in many festivals and receives, among others, the award for Best Ibero-American Film, Best Screenplay and the Mezcal Award in the 22nd Guadalajara International Film Festival, the Ariel for Best First Feature and the Special Jury Award at Sundance and Miami, both in 2008. His feature documentary Being: Café Tacvba premiers in 2010, a film on the 20th anniversary of Mexico's most important rock band. And in 2015 his third film hits the theaters, The Obscure Spring, winning the Grand Jury Prize for Best Film and the Grand Jury Prize for Best Performance, awarded to the main cast, at the 32nd Miami International Film Festival. It also won three Ariel awards (editing, music and sound) and was nominated in seven other categories by the Mexican Academy of Cinematographic Arts and Sciences. In 2016, he directed the episode "Eroticism", starring Irène Jacob, part of the feature film Tales of Mexico, produced by Machete Producciones. His latest film, I Dream in Another Language, a project that received the Sundance Institute / Mahindra Global Filmmaking Award, and supported by the National System of Creators, received the Audience Award at the Sundance Film Festival 2017. Alongside his filmmaking, Contreras has been General Director for documentary series for NatGeo and HBO.
Director:
2003 Los No Invitados
2003 The Miracle
2007 Blue Eyelids
2010 Continue Being: Café Tacvba
2014 The Obscure Spring
2017 I Dream in Another Language
2017 Tales of Mexico
2021 Impossible Things
2023 Dad or Mom
2023 Where the Tracks End
Editor:
2003 Los No Invitados
2003 The Miracle
2007 Blue Eyelids
2010 Continue Being: Café Tacvba
2012 The Convict Patient
2014 The Obscure Spring
2017 I Dream in Another Language
2017 Tales of Mexico
2021 Impossible Things
2023 Dad or Mom
2023 Where the Tracks End
Executive Producer:
2003 Los No Invitados
2003 The Miracle
2007 Blue Eyelids
2010 Continue Being: Café Tacvba
2012 The Convict Patient
2014 The Obscure Spring
2017 I Dream in Another Language
2017 Tales of Mexico
2021 Impossible Things
2023 Dad or Mom
2023 Where the Tracks End
Producer:
2003 Los No Invitados
2003 The Miracle
2007 Blue Eyelids
2010 Continue Being: Café Tacvba
2012 The Convict Patient
2014 The Obscure Spring
2017 I Dream in Another Language
2017 Tales of Mexico
2021 Impossible Things
2023 Dad or Mom
2023 Where the Tracks End
Writer:
2003 Los No Invitados
2003 The Miracle
2007 Blue Eyelids
2010 Continue Being: Café Tacvba
2012 The Convict Patient
2014 The Obscure Spring
2017 I Dream in Another Language
2017 Tales of Mexico
2021 Impossible Things
2023 Dad or Mom
2023 Where the Tracks End
Creator:
2014 Everyday Heroes
2017 El Chapo
2024 I Have to Die Every Night
Director:
2014 Everyday Heroes
2017 El Chapo
2021 Before I Forget
2022 Belascoaran, PI
2024 I Have to Die Every Night
2024 The Secret of the River
Executive Producer:
2014 Everyday Heroes
2017 El Chapo
2021 Before I Forget
2022 Belascoaran, PI
2024 I Have to Die Every Night
2024 The Secret of the River
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.