Sarah J. Christman

Alias:
Sarah Christman

Sarah Christman makes films that explore the intersections between people, technology and the natural world.  Her work has screened widely, including Rotterdam International Film Festival, Toronto Film Festival, New York Film Festival, MoMA Documentary Fortnight and the Los Angeles Film Forum. She received the New Visions Award from the San Francisco International Film Festival for her debut film Dear Bill Gates and Jury Awards from the Ann Arbor Film Festival for Broad Channel and As Above, So Below.  Christman received her MFA in Film & Media Arts from Temple University and her BA in Art History and Visual Arts from Oberlin College.  She teaches in the Film Department of Brooklyn College and the Feirstein Graduate School of Cinema / CUNY.

Additional information:

The Search Form


Cinematography:
2006  Dear Bill Gates
2011  Broad Channel
2012  As Above, So Below

Director:
2006  Dear Bill Gates
2011  Broad Channel
2012  As Above, So Below
2013  Gowanus Canal
2015  7285
2019  Swarm Season

Editor:
2006  Dear Bill Gates
2011  Broad Channel
2012  As Above, So Below
2013  Gowanus Canal
2015  7285
2019  Swarm Season

Sound Designer:
2006  Dear Bill Gates
2011  Broad Channel
2012  As Above, So Below
2013  Gowanus Canal
2015  7285
2019  Swarm Season

Writer:
2006  Dear Bill Gates
2011  Broad Channel
2012  As Above, So Below
2013  Gowanus Canal
2015  7285
2019  Swarm Season

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.