A work in constant progress (and occasional regress).
Alias:
Sarah Christman
Sarah Christman makes films that explore the intersections between people, technology and the natural world. Her work has screened widely, including Rotterdam International Film Festival, Toronto Film Festival, New York Film Festival, MoMA Documentary Fortnight and the Los Angeles Film Forum. She received the New Visions Award from the San Francisco International Film Festival for her debut film Dear Bill Gates and Jury Awards from the Ann Arbor Film Festival for Broad Channel and As Above, So Below. Christman received her MFA in Film & Media Arts from Temple University and her BA in Art History and Visual Arts from Oberlin College. She teaches in the Film Department of Brooklyn College and the Feirstein Graduate School of Cinema / CUNY.
Cinematography:
2006 Dear Bill Gates
2011 Broad Channel
2012 As Above, So Below
Director:
2006 Dear Bill Gates
2011 Broad Channel
2012 As Above, So Below
2013 Gowanus Canal
2015 7285
2019 Swarm Season
Editor:
2006 Dear Bill Gates
2011 Broad Channel
2012 As Above, So Below
2013 Gowanus Canal
2015 7285
2019 Swarm Season
Sound Designer:
2006 Dear Bill Gates
2011 Broad Channel
2012 As Above, So Below
2013 Gowanus Canal
2015 7285
2019 Swarm Season
Writer:
2006 Dear Bill Gates
2011 Broad Channel
2012 As Above, So Below
2013 Gowanus Canal
2015 7285
2019 Swarm Season
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.