A work in constant progress (and occasional regress).
Born:
January 1, 1984
Stephen Broomer is a filmmaker and film preservationist. He holds a BFA in Film and Video Production, an MA in Film Studies, and a PhD in Communication & Culture, his dissertation a study of the origins of the Canadian avant-garde film. He has given public presentations of his film restoration work at the Art Gallery of Ontario and the Canadian Film Institute, and his own films have screened at Views from the Avant-Garde, TIFF Wavelengths, and the Berlin Directors Lounge.
Director:
2010 Manor Road
2011 Balinese Rebar
2011 Christ Church – Saint James
2011 Memory Worked By Mirrors
2012 Brébeuf
2012 Queen’s Quay
2012 Snakegrass
2012 The Order of Ideas at the Leslie Street Spit
2013 Apis in Memphis
2013 Blue Guitar
2013 Championship
2013 Conservatory
2013 Pepper's Ghost
2013 Ravine
2013 Spirits in Season
2013 The Shapes Book
2013 Zerah’s Gift
2014 Dominion
2014 Hang Twelve
2014 Jenny Haniver
2014 Serena Gundy
2014 The Season Word
2014 Wastewater
2015 Bridge 1A
2015 Bridge 1B
2015 Bridge 1C
2015 Gulls at Gibraltar
2015 Landform 1
2015 Variations on a Theme by Michael Snow
2015 Wild Currents
2016 Carousel Study
2016 Mills
2016 The Bow and the Cloud
2017 Potamkin
2017 Residence Inn
2018 Fountains of Paris
2018 Tondal's Vision
2019 Phantom Ride
2019 Resurrection of the Body
2020 Arrival of the Train
2020 Lulu Faustine
2021 Fat Chance
2021 Scales of Being - Ed Emshwiller's Relativity
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.