A work in constant progress (and occasional regress).
Alias:
Ines Sedan
Inesu sedan
Yī nèi sī·sài dān
Инес Седан
イネス・セダン
伊内斯·赛丹
Birthplace:
La Plata, Argentina
Animation:
1997 The Dream
1998 Imaginary Mirror
1999 Matter of Habit
2003 Cinema Veritas
2012 Me
2013 Hollow Land
2018 Love, He Said
Animation Manager:
1997 The Dream
1998 Imaginary Mirror
1999 Matter of Habit
2003 Cinema Veritas
2009 The Man Who Slept
2012 Me
2013 Hollow Land
2013 The Song
2018 Love, He Said
Art Department Trainee:
1997 The Dream
1998 Imaginary Mirror
1999 Matter of Habit
2003 Cinema Veritas
2009 The Man Who Slept
2011 The Kid Tintouin
2012 Me
2013 Hollow Land
2013 The Song
2018 Love, He Said
Color Designer:
1997 The Dream
1998 Imaginary Mirror
1999 Matter of Habit
2003 Cinema Veritas
2009 The Man Who Slept
2011 The Kid Tintouin
2012 Me
2013 Hollow Land
2013 The Song
2015 Tigers Tied Up in One Rope
2018 Love, He Said
Colorist:
1997 The Dream
1998 Imaginary Mirror
1999 Matter of Habit
2003 Cinema Veritas
2009 The Man Who Slept
2011 The Kid Tintouin
2012 Me
2013 Hollow Land
2013 The Song
2015 Tigers Tied Up in One Rope
2018 Love, He Said
2021 Flowing Home
Compositing Artist:
1997 The Dream
1998 Imaginary Mirror
1999 Matter of Habit
2003 Cinema Veritas
2009 The Man Who Slept
2011 The Kid Tintouin
2012 Me
2013 Hollow Land
2013 The Song
2015 Tigers Tied Up in One Rope
2018 Love, He Said
2021 Flowing Home
Director:
1997 The Dream
1998 Imaginary Mirror
1999 Matter of Habit
2003 Cinema Veritas
2009 The Man Who Slept
2011 The Kid Tintouin
2012 Me
2013 Hollow Land
2013 The Song
2015 Tigers Tied Up in One Rope
2018 Love, He Said
2020 Short Cuts: Cries and Whispers
2021 Flowing Home
2021 Laurence au marché
2021 Short Cuts: The Piano
2023 Love Me True
Graphic Designer:
1997 The Dream
1998 Imaginary Mirror
1999 Matter of Habit
2003 Cinema Veritas
2009 The Man Who Slept
2011 The Kid Tintouin
2012 Me
2013 Hollow Land
2013 The Song
2015 Tigers Tied Up in One Rope
2018 Love, He Said
2020 Short Cuts: Cries and Whispers
2021 Flowing Home
2021 Laurence au marché
2021 Short Cuts: The Piano
2023 Love Me True
Screenplay:
1997 The Dream
1998 Imaginary Mirror
1999 Matter of Habit
2003 Cinema Veritas
2009 The Man Who Slept
2011 The Kid Tintouin
2012 Me
2013 Hollow Land
2013 The Song
2015 Tigers Tied Up in One Rope
2018 Love, He Said
2020 Short Cuts: Cries and Whispers
2021 Flowing Home
2021 Laurence au marché
2021 Short Cuts: The Piano
2023 Love Me True
Writer:
1997 The Dream
1998 Imaginary Mirror
1999 Matter of Habit
2003 Cinema Veritas
2009 The Man Who Slept
2011 The Kid Tintouin
2012 Me
2013 Hollow Land
2013 The Song
2015 Tigers Tied Up in One Rope
2018 Love, He Said
2020 Short Cuts: Cries and Whispers
2021 Flowing Home
2021 Laurence au marché
2021 Short Cuts: The Piano
2023 Love Me True
Color Designer:
2013 Jews and Muslims: Intimate Strangers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.