A work in constant progress (and occasional regress).
Born:
August 20, 1911
Died:
February 15, 1998
From Wikipedia, the free encyclopedia George White (August 20, 1911 – February 15, 1998) first became a Hollywood editor in 1942, spending most of his career at Metro-Goldwyn-Mayer. Among his more well known efforts were the war film Bataan (1943), Vincente Minnelli’s The Clock (1945), Tay Garnett’s steamy version of The Postman Always Rings Twice (1946), the epic special effects extravaganza Green Dolphin Street (1947), for which he was nominated for an Academy Award for Film Editing, and Challenge to Lassie in 1949. The 1950s saw him working on such films as A Life of Her Own (1950), The Naked Spur (1953), generally considered to be one of Anthony Mann’s finest Westerns, and the Biblical epic The Silver Chalice (1954), which helped launch the career of Paul Newman. White’s stock, however, waned considerably in the 1960s and he spent most of the decade working on potboilers. His last film was The Navy vs. the Night Monsters (1966), which has become something of a cult classic. He retired in 1966.
Director:
1957 My Gun Is Quick
Editor:
1942 Journey for Margaret
1943 Bataan
1943 The Man from Down Under
1944 Andy Hardy's Blonde Trouble
1945 The Clock
1945 Yolanda and the Thief
1946 The Postman Always Rings Twice
1947 Green Dolphin Street
1948 B.F.'s Daughter
1949 Challenge to Lassie
1950 A Life of Her Own
1950 The Reformer and the Redhead
1951 Mr. Imperium
1952 Fearless Fagan
1952 The Sellout
1953 Dream Wife
1953 Nostradamus and the Queen
1953 The Band Wagon
1953 The Naked Spur
1954 The Great Diamond Robbery
1954 The Silver Chalice
1955 Shack Out on 101
1955 The Phenix City Story
1956 Canyon River
1956 The Young Guns
1957 My Gun Is Quick
1958 Gunsmoke in Tucson
1958 Johnny Rocco
1958 Man from God's Country
1958 The Beast of Budapest
1959 King of the Wild Stallions
1961 King of the Roaring 20's – The Story of Arnold Rothstein
1961 Twenty Plus Two
1962 Convicts 4
1962 Dangerous Charter
1964 Sex and the College Girl
1965 Mutiny in Outer Space
1966 The Navy vs. the Night Monsters
1966 Women of the Prehistoric Planet
Supervising Film Editor:
1942 Journey for Margaret
1943 Bataan
1943 The Man from Down Under
1944 Andy Hardy's Blonde Trouble
1945 The Clock
1945 Yolanda and the Thief
1946 The Postman Always Rings Twice
1947 Green Dolphin Street
1948 B.F.'s Daughter
1949 Challenge to Lassie
1950 A Life of Her Own
1950 The Reformer and the Redhead
1951 Mr. Imperium
1952 Fearless Fagan
1952 The Sellout
1953 Dream Wife
1953 Nostradamus and the Queen
1953 The Band Wagon
1953 The Naked Spur
1954 The Great Diamond Robbery
1954 The Silver Chalice
1955 Shack Out on 101
1955 The Phenix City Story
1956 Canyon River
1956 The Young Guns
1957 My Gun Is Quick
1958 Gunsmoke in Tucson
1958 Johnny Rocco
1958 Man from God's Country
1958 The Beast of Budapest
1959 King of the Wild Stallions
1961 King of the Roaring 20's – The Story of Arnold Rothstein
1961 Twenty Plus Two
1962 Convicts 4
1962 Dangerous Charter
1964 Sex and the College Girl
1965 Mutiny in Outer Space
1966 The Navy vs. the Night Monsters
1966 Women of the Prehistoric Planet
1967 A Time for Killing
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.