Balázs Simonyi (b. 1980)

Birthplace:
Budapest

Born:
August 19, 1980

He studied film theory, film history, Hungarian language, and literature at ELTE BTK from 1998 to 2006. Pursued a PhD in philosophy, completing it in 2013. Throughout his career, he have worked as a dubbing artist, lending his voice to numerous TV and radio commercials, as well as foreign films. From 1986 to 2007, he was a member of Margit Földessy's drama studio, and in 2000, he founded the Kex and Tea literary reading night series. In 2003, he joined the first improvisational theatre company in Hungary, Momentán Társulat, where he served as the lead actor until leaving in 2012. Since 2002, he have worked as a creative freelancer, making films, long-form photo series, commercials, and television programs. His documentaries have been featured in various festivals worldwide.

Additional information:

The Search Form


Co-Producer:
2016  Indian

Director:
2003  Location Hunting
2006  Egy szavazat
2008  Mandarin
2011  Finale
2011  Location Hunting 2.
2016  Indian
2017  Ultra
2018  Halálvölgy - Portréfilm Lubics Szilviáról
2019  Banality

Director of Photography:
2003  Location Hunting
2006  Egy szavazat
2008  Mandarin
2011  Finale
2011  Location Hunting 2.
2016  Indian
2017  Ultra
2018  Halálvölgy - Portréfilm Lubics Szilviáról
2019  Banality

Editor:
2003  Location Hunting
2006  Egy szavazat
2008  Mandarin
2011  Finale
2011  Location Hunting 2.
2016  Indian
2017  Ultra
2018  Halálvölgy - Portréfilm Lubics Szilviáról
2019  Banality

Producer:
2003  Location Hunting
2006  Egy szavazat
2008  Mandarin
2011  Finale
2011  Location Hunting 2.
2016  Indian
2017  Ultra
2018  Halálvölgy - Portréfilm Lubics Szilviáról
2019  Banality

Screenplay:
2003  Location Hunting
2006  Egy szavazat
2008  Mandarin
2011  Finale
2011  Location Hunting 2.
2016  Indian
2017  Ultra
2018  Halálvölgy - Portréfilm Lubics Szilviáról
2019  Banality
2023  Own Forest

Writer:
2003  Location Hunting
2006  Egy szavazat
2008  Mandarin
2011  Finale
2011  Location Hunting 2.
2016  Indian
2017  Ultra
2018  Halálvölgy - Portréfilm Lubics Szilviáról
2019  Banality
2023  Own Forest

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.