A work in constant progress (and occasional regress).
Alias:
Arthur E. Roberts
Birthplace:
Mullin, Texas, USA
Born:
July 17, 1890
Died:
February 5, 1961
From Wikipedia, the free encyclopedia Arthur Roberts July 17, 1890 – February 5, 1961), also known as Arthur E. Roberts, was an American film editor who edited over 100 films during his almost 30 year career. He began ending towards the end of the silent era of the film industry, his first film being 1927's The College Hero, directed by Walter Lang. His last film was Republic's Lay That Rifle Down in 1955, after which he spent a brief period as the editor for the television series, Lassie, before retiring in 1956. During his career he would work with many famous directors, including Frank Capra (on several films, including The Donovan Affair), Lowell Sherman (on The Royal Bed), William Seiter (on several films, including Way Back Home), Edward Cline (on Cracked Nuts), George Cukor (A Bill of Divorcement), Dorothy Arzner (the first female member of the DGA, on Christopher Strong), Anthony Mann (Strangers in the Night), George Archainbaud (Girls of the Big House), Fritz Lang (House by the River),
Editor:
1927 The Siren
1928 Broadway Daddies
1928 So This Is Love
1928 Stool Pigeon
1928 Submarine
1928 That Certain Thing
1928 The Desert Bride
1928 The Matinee Idol
1928 The Power of the Press
1929 The Vagabond Lover
1929 The Younger Generation
1930 Conspiracy
1930 Girl of the Port
1930 Half Shot at Sunrise
1931 Cracked Nuts
1931 The Gay Diplomat
1931 The Royal Bed
1931 Transgression
1931 Way Back Home
1932 A Bill of Divorcement
1932 Girl of the Rio
1932 Hold 'Em Jail
1933 Christopher Strong
1933 If I Were Free
1933 The Cheyenne Kid
1934 Down to Their Last Yacht
1934 Lightning Strikes Twice
1934 Two Alone
1935 Star of Midnight
1936 The Bride Walks Out
1936 The Ex-Mrs. Bradford
1937 Sea Devils
1937 We Who Are About to Die
1940 The Son of Monte Cristo
1941 Uncle Joe
1943 A Scream in the Dark
1943 Mystery Broadcast
1943 The Mantrap
1944 End of the Road
1944 Storm Over Lisbon
1944 Strangers in the Night
1944 The Girl Who Dared
1944 The Lady and the Monster
1945 Bells of Rosarita
1945 Girls of the Big House
1945 Mexicana
1945 Tell It to a Star
1945 The Phantom Speaks
1946 Murder in the Music Hall
1946 Rendezvous with Annie
1946 That Brennan Girl
1947 Driftwood
1947 The Trespasser
1947 Wyoming
1948 Angel in Exile
1948 Campus Honeymoon
1948 Secret Service Investigator
1948 The Bold Frontiersman
1948 The Inside Story
1948 The Plunderers
1949 Brimstone
1949 Death Valley Gunfighter
1949 The Last Bandit
1950 California Passage
1950 Federal Agent at Large
1950 Harbor of Missing Men
1950 Hills of Oklahoma
1950 Rock Island Trail
1950 The Savage Horde
1951 Oh! Susanna
1952 Gobs and Gals
1952 Lady Possessed
1952 Montana Belle
1952 Rose of Cimarron
1953 Invaders from Mars
1955 Lay That Rifle Down
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.