A work in constant progress (and occasional regress).
Alias:
Morris Ostravitch
Birthplace:
London, England, UK
Born:
May 9, 1896
Died:
December 3, 1975
From Wikipedia, the free encyclopedia Maurice Ostrer (1896-1975) was a British film executive. He was best known for overseeing the Gainsborough melodramas. He was head of production at Gainsborough Studios from 1943-46. He resigned from the studio in 1946 after a disagreement with J. Arthur Rank who had taken over the studio. He left the film industry and went to work in textiles.
Executive In Charge Of Production:
1942 Uncensored
1944 Two Thousand Women
1944 Victory Wedding
Executive Producer:
1942 Uncensored
1943 Millions Like Us
1944 Two Thousand Women
1944 Victory Wedding
1945 A Place of One's Own
1945 The Wicked Lady
1945 Waterloo Road
1946 Caravan
1946 The Magic Bow
Producer:
1942 The Young Mr. Pitt
1942 Uncensored
1943 Millions Like Us
1944 Time Flies
1944 Two Thousand Women
1944 Victory Wedding
1945 A Place of One's Own
1945 The Wicked Lady
1945 Waterloo Road
1946 Caravan
1946 The Magic Bow
Production Manager:
1940 Girl in the News
1940 Night Train to Munich
1942 The Young Mr. Pitt
1942 Uncensored
1943 Millions Like Us
1944 Time Flies
1944 Two Thousand Women
1944 Victory Wedding
1945 A Place of One's Own
1945 The Wicked Lady
1945 Waterloo Road
1946 Caravan
1946 The Magic Bow
Production Supervisor:
1940 Girl in the News
1940 Night Train to Munich
1942 Back-Room Boy
1942 The Young Mr. Pitt
1942 Uncensored
1943 Millions Like Us
1944 Time Flies
1944 Two Thousand Women
1944 Victory Wedding
1945 A Place of One's Own
1945 The Wicked Lady
1945 Waterloo Road
1946 Caravan
1946 The Magic Bow
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.