Maurice Ostrer (1896-1975)

Gallery Unavailable

Alias:
Morris Ostravitch

Birthplace:
London, England, UK

Born:
May 9, 1896

Died:
December 3, 1975

From Wikipedia, the free encyclopedia  Maurice Ostrer (1896-1975) was a British film executive. He was best known for overseeing the Gainsborough melodramas. He was head of production at Gainsborough Studios from 1943-46. He resigned from the studio in 1946 after a disagreement with J. Arthur Rank who had taken over the studio.  He left the film industry and went to work in textiles.

Additional information:

The Search Form


Executive In Charge Of Production:
1942  Uncensored
1944  Two Thousand Women
1944  Victory Wedding

Executive Producer:
1942  Uncensored
1943  Millions Like Us
1944  Two Thousand Women
1944  Victory Wedding
1945  A Place of One's Own
1945  The Wicked Lady
1945  Waterloo Road
1946  Caravan
1946  The Magic Bow

Producer:
1942  The Young Mr. Pitt
1942  Uncensored
1943  Millions Like Us
1944  Time Flies
1944  Two Thousand Women
1944  Victory Wedding
1945  A Place of One's Own
1945  The Wicked Lady
1945  Waterloo Road
1946  Caravan
1946  The Magic Bow

Production Manager:
1940  Girl in the News
1940  Night Train to Munich
1942  The Young Mr. Pitt
1942  Uncensored
1943  Millions Like Us
1944  Time Flies
1944  Two Thousand Women
1944  Victory Wedding
1945  A Place of One's Own
1945  The Wicked Lady
1945  Waterloo Road
1946  Caravan
1946  The Magic Bow

Production Supervisor:
1940  Girl in the News
1940  Night Train to Munich
1942  Back-Room Boy
1942  The Young Mr. Pitt
1942  Uncensored
1943  Millions Like Us
1944  Time Flies
1944  Two Thousand Women
1944  Victory Wedding
1945  A Place of One's Own
1945  The Wicked Lady
1945  Waterloo Road
1946  Caravan
1946  The Magic Bow

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.