A work in constant progress (and occasional regress).
Inês Oliveira studied at the Superior School of Theatre and Cinema, in Lisbon, until 2000. With one of the most multifaceted curriculums of the young Portuguese film generation, not only in terms of education – such like in edition, photography, sound and screenplay – but also through the experience this director has also acquired. Nome e o N.I.M is one of Inês Oliveira’s most appreciated works after being widely awarded as a short film. Recently, Inês Oliveira directed a documentary Comer o Coração de Rui Chafes e Vera Mantero, that focused on the work of the pair which is a relation of exception in the Portuguese contemporary art.
Director:
2003 O Nome e o N.I.M.
2010 Cinerama
2013 Bobô
2018 The Frog and the Girl
???? Comer o Coração de Rui Chafes e Vera Mantero
Editor:
2003 O Nome e o N.I.M.
2010 Cinerama
2013 Bobô
2018 The Frog and the Girl
???? Comer o Coração de Rui Chafes e Vera Mantero
Sound Editor:
2003 O Nome e o N.I.M.
2010 Cinerama
2013 Bobô
2018 The Frog and the Girl
???? Comer o Coração de Rui Chafes e Vera Mantero
Sound Mixer:
2003 O Nome e o N.I.M.
2009 Tchiloli, Masks and Myths
2010 Cinerama
2013 Bobô
2018 The Frog and the Girl
???? Comer o Coração de Rui Chafes e Vera Mantero
Writer:
2003 O Nome e o N.I.M.
2009 Tchiloli, Masks and Myths
2010 Cinerama
2013 Bobô
2018 The Frog and the Girl
???? Comer o Coração de Rui Chafes e Vera Mantero
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.