A work in constant progress (and occasional regress).
Alias:
헬렌 리
Birthplace:
Seoul, South Korea
Born:
January 1, 1965
Helen Lee, a Korean-Canadian filmmaker, was born in Seoul, South Korea, and migrated to Canada at the age of four, settling in Scarborough, Ontario. Her passion for cinema emerged early, leading her to pursue film studies at the University of Toronto and later at New York University. Influenced by gender and minority theories during her university years, these themes resonated in her inaugural short film, "Sally's Beauty Spot" (1990). Amid her academic pursuits, Lee crafted two additional films before embarking on a five-year hiatus in Korea starting from 1995. Upon her return, Lee unveiled another short film and her maiden feature, "The Art of Woo" (2001). Although her filmography has slowed in pace, Lee persists in creating compelling cinema. Her works often delve into gender and racial complexities, offering poignant reflections on the contemporary experiences of East Asians. A recurring motif in her oeuvre is sexuality, with interracial relationships prominently featured across several of her films.
Director:
1990 Sally's Beauty Spot
1992 My Niagara
1995 Prey
2000 Subrosa
2001 The Art of Woo
2008 Hers at Last
2024 Paris to Pyongyang
2024 Tenderness
Editor:
1990 Sally's Beauty Spot
1992 My Niagara
1995 Prey
2000 Subrosa
2001 The Art of Woo
2008 Hers at Last
2024 Paris to Pyongyang
2024 Tenderness
Producer:
1990 Sally's Beauty Spot
1992 My Niagara
1995 Prey
2000 Subrosa
2001 The Art of Woo
2008 Hers at Last
2024 Paris to Pyongyang
2024 Tenderness
Writer:
1990 Sally's Beauty Spot
1992 My Niagara
1995 Prey
2000 Subrosa
2001 The Art of Woo
2008 Hers at Last
2024 Paris to Pyongyang
2024 Tenderness
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.