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Alison Millar

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Birthplace:
Cullybackey, County Antrim, Northern Ireland

Biography from TheMovieDB

A BAFTA, IFTA, RTS and Prix Italia winner, Alison Millar is one of the UK and Ireland's most respected documentary film-makers and the founder of Erica Starling Productions Ltd, an independent documentary production company in Belfast. She is a regular filmmaker for the Channel 4 investigative documentary series Dispatches, but she actually began her career in front of the cameras, co-presenting the legendary arts and crafts series for children, Hartbeat, with Tony Hart in the 1980s.

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Film Performances

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Film Production

Director:
2008  The Father, the Son and the Housekeeper
2011  Sisters of the Lodge
2013  The Disappeared
2018  Searching for Shergar
2019  A Carryin' Stream
2022  Lyra
????  The Men Who Won't Stop Marching
????  When the Rapping Stops

Executive Producer:
2008  The Father, the Son and the Housekeeper
2011  Sisters of the Lodge
2013  The Disappeared
2018  Searching for Shergar
2019  A Carryin' Stream
2019  Showbands: How Ireland Learned to Party
2019  The Day Mountbatten Died
2020  The Changin' Times of Ike White
2022  Lyra
????  The Men Who Won't Stop Marching
????  When the Rapping Stops

Producer:
2008  The Father, the Son and the Housekeeper
2011  Sisters of the Lodge
2013  The Disappeared
2018  Searching for Shergar
2019  A Carryin' Stream
2019  Showbands: How Ireland Learned to Party
2019  The Day Mountbatten Died
2020  The Changin' Times of Ike White
2022  Lyra
????  The Men Who Won't Stop Marching
????  When the Rapping Stops

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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