A work in constant progress (and occasional regress).
Alias:
Miguel Bunster Claudet
Miguel Teitelboim
Birthplace:
Princeton, New Jersey, USA
Born:
April 8, 1979
Miguel Bunster is a cinematographer Even though he was born in the United States Miguel grew up in Chile where he started his film career. Initially his first jobs at a young age were in 3D animation but after working in different departments he got to work as a DP and never looked back. In 2004 he entered the cinematography program at the American Film Institute and after graduation he started shooting films, music videos and commercials, Now a days he spends most of his time in Chile but still moves between Chile, United States, Brazil and any place where he can go to work with new people in different projects.
Best Boy Grip:
2004 Tendida mirando las estrellas
Camera Operator:
2004 Tendida mirando las estrellas
2010 The New Big Ball with Neil Hamburger
2012 Have You Seen Lupita?
Cinematography:
2004 Tendida mirando las estrellas
2010 The Death of Toys
2010 The New Big Ball with Neil Hamburger
2012 Have You Seen Lupita?
Director of Photography:
2004 Tendida mirando las estrellas
2006 Bye Bye Benjamin
2009 The Line
2010 I Will Follow
2010 The Death of Toys
2010 The New Big Ball with Neil Hamburger
2012 Caleuche: The Call of the Sea
2012 Have You Seen Lupita?
2014 Videoclub
2015 Heroes
2017 My Father's Memory
2018 Atacama
2018 Cirqo
2019 Casi famoso
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.