A work in constant progress (and occasional regress).
Birthplace:
New York, New York
Born:
December 3, 1936
Born in 1936, Larry Gottheim taught himself 16mm filmmaking in the 1960s and became one of America's leading avant-garde filmmakers. From his late-1960s series of sublime 'single-shot' films to the dense sound/image constructs of the mid-1970s and after, his cinema is the cinema of presence, of observation, and of deep conscious engagement. While addressing genres of landscape, diary and assemblage filmmaking, Gottheim's work properly stands alone in its intensive investigations of the paradoxes between direct, sensual experience in collision with complex structures of repetition, anticipation and memory. Gottheim developed the Department of Cinema in Binghamton, N.Y. and taught there for more than three decades. This extremely influential department attracted the most talented artists, academics, and filmmakers of the day including Ken Jacobs, Hollis Frampton, Peter Kubelka, and Ernie Gehr among many others. In the 1990's Gottheim has also served for a brief time as director of the Filmmaker's Co-op in New York. Gottheim's films are in the collections of museums and archives throughout the world, and a program of his restored early films premiered at the 2005 New York Film Festival.
Cinematography:
2024 A Private Room
Director:
1969 ALA
1969 Blues
1970 Corn
1970 Fog Line
1971 Barn Rushes
1971 Doorway
1971 Harmonica
1971 Thought
1973 Horizons
1976 Mouches Volantes
1978 Four Shadows
1981 Tree of Knowledge
1983 Natural Selection
1984 "Sorry/Hear Us"
1987 Mnemosyne Mother of Muses
1987 The Red Thread
1989 Machete Gillette... Mama
1991 Your Television Traveler
2012 The Opening
2017 Chants and Dances for Hand
2019 Knot/Not
2022 Entanglement
2024 A Private Room
Editor:
1969 ALA
1969 Blues
1970 Corn
1970 Fog Line
1971 Barn Rushes
1971 Doorway
1971 Harmonica
1971 Thought
1973 Horizons
1976 Mouches Volantes
1978 Four Shadows
1981 Tree of Knowledge
1983 Natural Selection
1984 "Sorry/Hear Us"
1987 Mnemosyne Mother of Muses
1987 The Red Thread
1989 Machete Gillette... Mama
1991 Your Television Traveler
2012 The Opening
2017 Chants and Dances for Hand
2019 Knot/Not
2022 Entanglement
2024 A Private Room
Producer:
1969 ALA
1969 Blues
1970 Corn
1970 Fog Line
1971 Barn Rushes
1971 Doorway
1971 Harmonica
1971 Thought
1973 Horizons
1976 Mouches Volantes
1978 Four Shadows
1981 Tree of Knowledge
1983 Natural Selection
1984 "Sorry/Hear Us"
1987 Mnemosyne Mother of Muses
1987 The Red Thread
1989 Machete Gillette... Mama
1991 Your Television Traveler
2012 The Opening
2017 Chants and Dances for Hand
2019 Knot/Not
2022 Entanglement
2024 A Private Room
Sound:
1969 ALA
1969 Blues
1970 Corn
1970 Fog Line
1971 Barn Rushes
1971 Doorway
1971 Harmonica
1971 Thought
1973 Horizons
1976 Mouches Volantes
1978 Four Shadows
1981 Tree of Knowledge
1983 Natural Selection
1984 "Sorry/Hear Us"
1987 Mnemosyne Mother of Muses
1987 The Red Thread
1989 Machete Gillette... Mama
1991 Your Television Traveler
2012 The Opening
2017 Chants and Dances for Hand
2019 Knot/Not
2022 Entanglement
2024 A Private Room
Writer:
1969 ALA
1969 Blues
1970 Corn
1970 Fog Line
1971 Barn Rushes
1971 Doorway
1971 Harmonica
1971 Thought
1973 Horizons
1976 Mouches Volantes
1978 Four Shadows
1981 Tree of Knowledge
1983 Natural Selection
1984 "Sorry/Hear Us"
1987 Mnemosyne Mother of Muses
1987 The Red Thread
1989 Machete Gillette... Mama
1991 Your Television Traveler
2012 The Opening
2017 Chants and Dances for Hand
2019 Knot/Not
2022 Entanglement
2024 A Private Room
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.