A work in constant progress (and occasional regress).
Alias:
Peter K. Smith
Camera Operator:
1991 Captive
Director:
1972 The Trouble with 2B
1972 The Trouble with 2b: Part Five, Thirty Years Younger
1972 The Trouble with 2b: Part Four, Parents' Day
1972 The Trouble with 2b: Part Six, Blackboard Jungle
1972 The Trouble with 2b: Part Three, Trial of Strength
1972 The Trouble with 2b: Part Two, On the Air
1974 What Next?
1975 A Private Enterprise
1976 A Martyr to the System
1980 An Ordered Life
1981 Bread or Blood
1983 Being Normal
1983 The Intercessor
1985 No Surrender
1985 The Price
1988 The Storyteller
1989 Loving Hazel
1989 Testimony of a Child
1990 Murder East - Murder West
1991 Captive
1993 Resnick: Rough Treatment
1996 The Writing on the Wall
1999 The Alchemists
2020 Reunify
2024 The Swineherd
Writer:
1972 The Trouble with 2B
1972 The Trouble with 2b: Part Five, Thirty Years Younger
1972 The Trouble with 2b: Part Four, Parents' Day
1972 The Trouble with 2b: Part Six, Blackboard Jungle
1972 The Trouble with 2b: Part Three, Trial of Strength
1972 The Trouble with 2b: Part Two, On the Air
1974 What Next?
1975 A Private Enterprise
1976 A Martyr to the System
1980 An Ordered Life
1981 Bread or Blood
1983 Being Normal
1983 The Intercessor
1985 No Surrender
1985 The Price
1988 The Storyteller
1989 Loving Hazel
1989 Testimony of a Child
1990 Murder East - Murder West
1991 Captive
1993 Resnick: Rough Treatment
1996 The Writing on the Wall
1999 The Alchemists
2020 Reunify
2024 The Swineherd
Director:
1975 The Sweeney
1979 Shoestring
1981 Bergerac
1984 The Bill
1985 The Price
1987 A Perfect Spy
1988 The Storyteller
1992 A Touch of Frost
1992 Between the Lines
1995 Kavanagh Q.C.
1997 McCallum
1997 Midsomer Murders
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.