A work in constant progress (and occasional regress).
Alias:
Dong-hun Choi
최동훈
Birthplace:
Jeonju, North Jeolla Province, South Korea
Born:
November 30, 1970
Choi Dong-hoon (Korean: 최동훈; born 1971) is a South Korean film director and screenwriter. He ranks as one of the most consistently successful directors working in contemporary Korean cinema, with all five of his films becoming commercial hits -- The Big Swindle attracted 2.12 million viewers, Tazza: The High Rollers at 6.84 million, Jeon Woo-chi: The Taoist Wizard at 6.13 million, The Thieves at 12.9 million, and Assassination at 12.7 million.
Cinematography:
2001 Scissors
Director:
2001 Scissors
2004 The Big Swindle
2006 Tazza: The High Rollers
2009 Woochi: The Demon Slayer
2012 The Thieves
2015 Assassination
2022 Alienoid
2024 Alienoid: Return to the Future
Executive Producer:
2001 Scissors
2004 The Big Swindle
2006 Tazza: The High Rollers
2009 Woochi: The Demon Slayer
2012 The Thieves
2015 Assassination
2022 Alienoid
2024 Alienoid: Return to the Future
Producer:
2001 Scissors
2004 The Big Swindle
2006 Tazza: The High Rollers
2009 Woochi: The Demon Slayer
2012 The Thieves
2015 Assassination
2022 Alienoid
2024 Alienoid: Return to the Future
Screenplay:
2001 Scissors
2004 The Big Swindle
2006 Tazza: The High Rollers
2009 Woochi: The Demon Slayer
2012 The Thieves
2015 Assassination
2022 Alienoid
2024 Alienoid: Return to the Future
Writer:
2001 Scissors
2004 The Big Swindle
2005 A Boy Who Went to Heaven
2006 Tazza: The High Rollers
2006 The Restless
2009 Woochi: The Demon Slayer
2012 The Thieves
2015 Assassination
2022 Alienoid
2024 Alienoid: Return to the Future
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.