A work in constant progress (and occasional regress).
Christine Lucy Latimer is an interdisciplinary artist working with lens-based and time-based forms. She currently lives and works in Toronto, Canada.
Director:
2002 Mosaic
2003 Ghostmeat
2008 (Just beyond the screen) the universe - as we know it - is ending
2008 Over {Past:Future} Sight
2009 Focus
2010 Fruit Flies
2011 The Pool
2012 The Magik Iffektor
2013 Jane’s Birthday
2013 Lines Postfixal
2013 Nationtime
2014 C2013
2014 Physics and Metaphysics in Modern Photography
2015 Still Feeling Blue About Colour Separation
2020 House Pieces
2021 Tender
Screenplay:
2002 Mosaic
2003 Ghostmeat
2008 (Just beyond the screen) the universe - as we know it - is ending
2008 Over {Past:Future} Sight
2009 Focus
2010 Fruit Flies
2011 The Pool
2012 The Magik Iffektor
2013 Jane’s Birthday
2013 Lines Postfixal
2013 Nationtime
2014 C2013
2014 Physics and Metaphysics in Modern Photography
2015 Still Feeling Blue About Colour Separation
2020 House Pieces
2021 Tender
Thanks:
2002 Mosaic
2003 Ghostmeat
2008 (Just beyond the screen) the universe - as we know it - is ending
2008 Over {Past:Future} Sight
2009 Focus
2010 Fruit Flies
2011 The Pool
2012 The Magik Iffektor
2013 Jane’s Birthday
2013 Lines Postfixal
2013 Nationtime
2014 C2013
2014 Physics and Metaphysics in Modern Photography
2015 Still Feeling Blue About Colour Separation
2017 Potamkin
2020 House Pieces
2021 Tender
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.