A work in constant progress (and occasional regress).
Birthplace:
Philadelphia, Pennsylvania, USA
Jesse McLean is a media artist and educator whose research is motivated by a deep curiosity about human behavior and relationships, especially as presented and observed through mediated images. Interested both in the power and the failure of the mediated experience to bring us together, McLean's work asks the viewer to walk the line between voyeur and participant. She has presented her work at museums, galleries, and film festivals worldwide, including the International Film Festival Rotterdam, The Netherlands; Venice Film Festival, Italy; Transmediale, Berlin; 25 FPS Festival, Zagreb, Croatia; European Media Arts Festival, Osnabrück, Germany; Contemporary Art Museum, St. Louis; Interstate Projects and PPOW Gallery, New York; Museum of Contemporary Art, Detroit; Gallery 400, Chicago; Impakt, Utrecht, The Netherlands; CPH:DOX, Copenhagen; Kassel Documentary Film and Video Festival, Kassel, Germany; and the Contemporary Arts Center, Cincinnati, OH. McLean is an Assistant Professor in the Department of Cinema and Comparative Literature at University of Iowa.
Cinematography:
2013 Just Like Us
Director:
2003 Celebration of Lights
2008 The Eternal Quarter Inch
2009 Climbing
2009 Somewhere Only We Know
2009 The Burning Blue
2010 Magic for Beginners
2010 Relations
2011 Lose Yourself
2011 Remote
2011 Trust Falls
2012 The Invisible World
2013 Just Like Us
2015 I'm in Pittsburgh and it's Raining
2016 See a Dog, Hear a Dog
2017 Wherever You Go, There We Are
2020 Curious Fantasies
2023 Light Needs
???? Clone
Editor:
2003 Celebration of Lights
2008 The Eternal Quarter Inch
2009 Climbing
2009 Somewhere Only We Know
2009 The Burning Blue
2010 Magic for Beginners
2010 Relations
2011 Lose Yourself
2011 Remote
2011 Trust Falls
2012 The Invisible World
2013 Just Like Us
2015 I'm in Pittsburgh and it's Raining
2016 See a Dog, Hear a Dog
2017 Wherever You Go, There We Are
2020 Curious Fantasies
2023 Light Needs
???? Clone
Producer:
2003 Celebration of Lights
2008 The Eternal Quarter Inch
2009 Climbing
2009 Somewhere Only We Know
2009 The Burning Blue
2010 Magic for Beginners
2010 Relations
2011 Lose Yourself
2011 Remote
2011 Trust Falls
2012 The Invisible World
2013 Just Like Us
2015 I'm in Pittsburgh and it's Raining
2016 See a Dog, Hear a Dog
2017 Wherever You Go, There We Are
2020 Curious Fantasies
2023 Light Needs
???? Clone
Writer:
2003 Celebration of Lights
2008 The Eternal Quarter Inch
2009 Climbing
2009 Somewhere Only We Know
2009 The Burning Blue
2010 Magic for Beginners
2010 Relations
2011 Lose Yourself
2011 Remote
2011 Trust Falls
2012 The Invisible World
2013 Just Like Us
2015 I'm in Pittsburgh and it's Raining
2016 See a Dog, Hear a Dog
2017 Wherever You Go, There We Are
2020 Curious Fantasies
2023 Light Needs
???? Clone
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.