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Jaromír Komárek (b. 1933)

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Born:
September 11, 1933

Additional information:

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Film Performances

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Film Production

Camera Operator:
2002  The Making of 'Amadeus'

Still Photographer:
1964  Audition
1964  Black Peter
1964  Do You Keep a Lion at Home?
1969  All My Good Countrymen
1969  The Most Beautiful Age
1970  Behold Homolka
1970  Fruit of Paradise
1970  Murdering the Devil
1971  Dogs and People
1972  Homolka and Pocketbook
1972  Velikonoční dovolená
1973  Death Chooses
1973  Love
1973  Three Wishes for Cinderella
1974  The Fair Is Here
1975  Night of Orange Fires
1977  Smoke on the Potato Fields
1978  Hněv
1978  Monkey's Playtime
1980  Rukojmí v Bella Vista
1980  Svítalo celou noc
1980  Tím pádem
1981  Don't Take the Sweater Off
1981  Hodina života
1981  Matěji, proč tě holky nechtějí?
1981  That Instant, That While
1982  Víkend bez rodičů
1984  Amadeus
1985  Albert
1985  Cesta kolem mé hlavy
1985  Druhý tah pěšcem
1985  Láska s vůní pryskyřice
1985  Noc smaragdového měsíce
1986  Eine zauberhafte Erbschaft
1986  Zátah
1989  A Hoof Here, a Hoof There
1989  Pražská 5
1989  Tale '88
1989  Valmont
1990  Útěk s Cézarem
1991  Pražákům, těm je hej
1991  Vracenky
1995  Divoké pivo
1996  The Cow
2002  The Making of 'Amadeus'

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.