A work in constant progress (and occasional regress).
Since 2010, Gaëlle Boucand, an artist and cineaste, has focused on making films that are a blend between contemporary art and contemporary cinema. She has directed among others GONE TO CROATAN (2010), in which she follows a community of ravers, along with the trilogy — JJA (2012), CHANGE OF SCENERY (2015) and J.A. (2020) — a kaleidoscopic portrait of a man whose life is caught up in the 20th century history. Her films have been shown throughout various international art institutions (Paris Museum of Modern Art, Kunsthalle Mannheim, MAST Bologne, Bethanien Berlin, Athens and Thessaloniki Museums of Contemporary Art…) and have won awards in FID Marseille, Hors Pistes Festival in Beaubourg and Coté Court in Pantin. In 2015, she co-founded the production company Elinka Film with 4 other directors.
Director:
2012 JJA
2015 Change of Scenery
2020 JA
2020 Voin
???? MARGOT & VANESSA
Director of Photography:
2012 JJA
2015 Change of Scenery
2020 JA
2020 Voin
???? MARGOT & VANESSA
Editor:
2012 JJA
2015 Change of Scenery
2020 JA
2020 Voin
???? MARGOT & VANESSA
Producer:
2012 JJA
2015 Change of Scenery
2020 JA
2020 Voin
2021 Notes for les Sanglières
2023 Last Things
2024 Arancia Bruciata
???? MARGOT & VANESSA
Sound Recordist:
2012 JJA
2015 Change of Scenery
2020 JA
2020 Voin
2021 Notes for les Sanglières
2023 Last Things
2024 Arancia Bruciata
???? MARGOT & VANESSA
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.