A work in constant progress (and occasional regress).
Alias:
細石 照美
Birthplace:
Japan
Art Direction:
1982 A Pool Without Water
1982 Tattoo
1982 Weekend Shuffle
1983 The Mosquito on the Tenth Floor
1984 Aiyoku no hibi: Ekusutashī
1984 Sukyanti dōru: nugitate no kaori
1984 The Crazy Family
1985 Marukin marubi no kintamashii maki
1985 The Bloody Afternoon
1988 Angel Guts: Red Vertigo
1990 Inamura Jane
1991 World Apartment Horror
1992 Original Sin
1998 Zero Woman: Dangerous Game
1999 The Night the Angel Turned Away
1999 Zero Woman Returns
Production Design:
1982 A Pool Without Water
1982 Tattoo
1982 Weekend Shuffle
1983 The Mosquito on the Tenth Floor
1984 Aiyoku no hibi: Ekusutashī
1984 Sukyanti dōru: nugitate no kaori
1984 The Crazy Family
1985 Marukin marubi no kintamashii maki
1985 The Bloody Afternoon
1986 The New Morning of Billy the Kid
1988 Angel Guts: Red Vertigo
1988 Door
1988 Tokyo Pop
1990 Inamura Jane
1991 Midsummer's Earth
1991 World Apartment Horror
1992 Original Sin
1994 Tsutsumi honoo no gotoku
1994 Undo
1995 Love Letter
1996 Picnic
1997 End of Our Own Real
1998 Zero Woman: Dangerous Game
1999 The Night the Angel Turned Away
1999 Zero Woman Returns
Special Effects:
1976 In the Realm of the Senses
1982 A Pool Without Water
1982 Tattoo
1982 Weekend Shuffle
1983 The Mosquito on the Tenth Floor
1984 Aiyoku no hibi: Ekusutashī
1984 Sukyanti dōru: nugitate no kaori
1984 The Crazy Family
1985 Marukin marubi no kintamashii maki
1985 The Bloody Afternoon
1986 The New Morning of Billy the Kid
1988 Angel Guts: Red Vertigo
1988 Door
1988 Tokyo Pop
1990 Inamura Jane
1991 Midsummer's Earth
1991 World Apartment Horror
1992 Original Sin
1994 Tsutsumi honoo no gotoku
1994 Undo
1995 Love Letter
1996 Picnic
1997 End of Our Own Real
1998 Zero Woman: Dangerous Game
1999 The Night the Angel Turned Away
1999 Zero Woman Returns
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.