A work in constant progress (and occasional regress).
Alias:
辻智彦
Aerial Camera:
2021 Ashita o he guru
Cinematography:
2012 11.25 The Day He Chose His Own Fate
2012 Petrel Hotel Blue
2014 Yasukuni, Chirei, Tennō
2021 Ashita o he guru
2023 Alone Again in Fukushima
Director of Photography:
1999 Tokyo Elegy
2002 The Heart of Japan: Ichirō Hariu, the Man Who Embraced the Whole of Japan
2004 Cycling Chronicles: Landscapes the Boy Saw
2004 Perfect Education 6
2006 9.11-8.15 Nippon Suicide Pact
2007 United Red Army
2010 Caterpillar
2010 Lost Paradise in Tokyo
2011 Where Has Misawa Chiren Gone?
2012 11.25 The Day He Chose His Own Fate
2012 Petrel Hotel Blue
2012 The Millennial Rapture
2014 Yasukuni, Chirei, Tennō
2016 Somebody's Xylophone
2018 Dare to Stop Us
2020 MOTHER
2020 Woman Holding Perspective
2021 Ashita o he guru
2022 Goodbye Cruel World
2022 Intimate Stranger
2023 Alone Again in Fukushima
2023 Goodbye Hoyaman
2024 The Women in the Lakes
Editor:
1999 Tokyo Elegy
2002 The Heart of Japan: Ichirō Hariu, the Man Who Embraced the Whole of Japan
2004 Cycling Chronicles: Landscapes the Boy Saw
2004 Perfect Education 6
2006 9.11-8.15 Nippon Suicide Pact
2007 United Red Army
2010 Caterpillar
2010 Lost Paradise in Tokyo
2011 Where Has Misawa Chiren Gone?
2012 11.25 The Day He Chose His Own Fate
2012 Petrel Hotel Blue
2012 The Millennial Rapture
2014 Yasukuni, Chirei, Tennō
2016 Somebody's Xylophone
2018 Dare to Stop Us
2020 MOTHER
2020 Woman Holding Perspective
2021 Ashita o he guru
2022 Goodbye Cruel World
2022 Intimate Stranger
2023 Alone Again in Fukushima
2023 Goodbye Hoyaman
2024 The Women in the Lakes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.