Tomohiko Tsuji

Gallery Unavailable

Alias:
辻智彦

Additional information:

The Search Form


Aerial Camera:
2021  Ashita o he guru

Cinematography:
2012  11.25 The Day He Chose His Own Fate
2012  Petrel Hotel Blue
2014  Yasukuni, Chirei, Tennō
2021  Ashita o he guru
2023  Alone Again in Fukushima

Director of Photography:
1999  Tokyo Elegy
2002  The Heart of Japan: Ichirō Hariu, the Man Who Embraced the Whole of Japan
2004  Cycling Chronicles: Landscapes the Boy Saw
2004  Perfect Education 6
2006  9.11-8.15 Nippon Suicide Pact
2007  United Red Army
2010  Caterpillar
2010  Lost Paradise in Tokyo
2011  Where Has Misawa Chiren Gone?
2012  11.25 The Day He Chose His Own Fate
2012  Petrel Hotel Blue
2012  The Millennial Rapture
2014  Yasukuni, Chirei, Tennō
2016  Somebody's Xylophone
2018  Dare to Stop Us
2020  MOTHER
2020  Woman Holding Perspective
2021  Ashita o he guru
2022  Goodbye Cruel World
2022  Intimate Stranger
2023  Alone Again in Fukushima
2023  Goodbye Hoyaman
2024  The Women in the Lakes

Editor:
1999  Tokyo Elegy
2002  The Heart of Japan: Ichirō Hariu, the Man Who Embraced the Whole of Japan
2004  Cycling Chronicles: Landscapes the Boy Saw
2004  Perfect Education 6
2006  9.11-8.15 Nippon Suicide Pact
2007  United Red Army
2010  Caterpillar
2010  Lost Paradise in Tokyo
2011  Where Has Misawa Chiren Gone?
2012  11.25 The Day He Chose His Own Fate
2012  Petrel Hotel Blue
2012  The Millennial Rapture
2014  Yasukuni, Chirei, Tennō
2016  Somebody's Xylophone
2018  Dare to Stop Us
2020  MOTHER
2020  Woman Holding Perspective
2021  Ashita o he guru
2022  Goodbye Cruel World
2022  Intimate Stranger
2023  Alone Again in Fukushima
2023  Goodbye Hoyaman
2024  The Women in the Lakes

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.