A work in constant progress (and occasional regress).
Associate Producer:
2022 Motivational Speaker
Executive Producer:
2001 Bufo & Spallanzani
2003 God Is Brazilian
2005 The Game of Their Lives
2006 The Greatest Love of All
2012 Artificial Paradises
2015 A Esperança É a Última que Morre
2022 Motivational Speaker
2022 Vai Dar Nada
2023 At Midnight
Producer:
2001 Bufo & Spallanzani
2003 God Is Brazilian
2005 The Game of Their Lives
2006 The Greatest Love of All
2012 Artificial Paradises
2013 Primeiro Dia de um Ano Qualquer
2015 A Esperança É a Última que Morre
2015 A Man Amidst Bees
2018 The Last Hangover
2019 The First Temptation of Christ
2022 Motivational Speaker
2022 Vai Dar Nada
2023 At Midnight
Production Director:
2001 Bufo & Spallanzani
2003 God Is Brazilian
2005 The Game of Their Lives
2006 The Greatest Love of All
2006 The Machine
2012 Artificial Paradises
2013 Primeiro Dia de um Ano Qualquer
2015 A Esperança É a Última que Morre
2015 A Man Amidst Bees
2016 Porta dos Fundos: Contrato Vitalício
2018 The Last Hangover
2019 The First Temptation of Christ
2022 Motivational Speaker
2022 Vai Dar Nada
2023 At Midnight
Production Manager:
1996 Jaguar
2001 Bufo & Spallanzani
2003 God Is Brazilian
2005 The Game of Their Lives
2006 1972
2006 The Greatest Love of All
2006 The Machine
2012 Artificial Paradises
2013 Primeiro Dia de um Ano Qualquer
2015 A Esperança É a Última que Morre
2015 A Man Amidst Bees
2016 Porta dos Fundos: Contrato Vitalício
2018 The Last Hangover
2019 The First Temptation of Christ
2022 Motivational Speaker
2022 Vai Dar Nada
2023 At Midnight
Executive Producer:
2022 Coração Suburbano
Producer:
2021 Futuro Ex-Porta
2022 Coração Suburbano
2023 Soap Opera
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.