A work in constant progress (and occasional regress).
Birthplace:
Lisbon, Portugal
Ico Costa was born in Lisbon in 1983. He studied at the Portuguese National Film School, in Lisbon, at the Universidad del Cine, in Buenos Aires and at Le Fresnoy - Studio national des arts contemporains, in Tourcoing, France. He directed the short films Libhaketi (2012), Four Hours Barefoot (2012), Current (2013), Antero (2014) and Nyo Vweta Nafta (2017), the documentary UPROAR, ECLIPSE (2017) and fiction feature film ALVA (2019). His work was shown at several film festivals, such as the Critics' Week of Cannes, Rotterdam, Rome, Cinéma du Réel, New Directors/New Films, Oberhausen, Jihlava, Vila do Conde, IndieLisboa, DocLisboa, among many others.
Cinematography:
2023 Timkat
Director:
2012 Four Hours Barefoot
2013 Current
2017 Searching Nafta
2017 Uproar, Eclipse
2018 WZ604_Mont1
2019 Alva
2022 Domy + Ailucha: Ket Stuff!
2023 Timkat
2024 Gold Songs
Director of Photography:
2012 Four Hours Barefoot
2013 Current
2017 Searching Nafta
2017 Uproar, Eclipse
2018 WZ604_Mont1
2019 Alva
2022 Domy + Ailucha: Ket Stuff!
2023 Timkat
2024 Gold Songs
Editor:
2012 Four Hours Barefoot
2013 Current
2017 Searching Nafta
2017 Uproar, Eclipse
2018 WZ604_Mont1
2019 Alva
2022 Domy + Ailucha: Ket Stuff!
2023 Timkat
2024 Gold Songs
Producer:
2012 Four Hours Barefoot
2013 Current
2017 Searching Nafta
2017 Uproar, Eclipse
2018 WZ604_Mont1
2019 Alva
2022 Domy + Ailucha: Ket Stuff!
2022 Waters of Pastaza
2023 Timkat
2024 Gold Songs
2024 The Human Surge 3
2024 Tomorrow Is a Long Time
Writer:
2012 Four Hours Barefoot
2013 Current
2017 Searching Nafta
2017 Uproar, Eclipse
2018 WZ604_Mont1
2019 Alva
2022 Domy + Ailucha: Ket Stuff!
2022 Waters of Pastaza
2023 Timkat
2024 Gold Songs
2024 The Human Surge 3
2024 Tomorrow Is a Long Time
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.