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Jane Harker (1923-1988)

Alias:
Jane Ellen Harker

Birthplace:
San Francisco, California, USA

Born:
November 13, 1923

Died:
September 10, 1988

Biography from TheMovieDB

Jane Ellen Harker was born on November 13, 1923 in San Francisco, California. She was an actress, known for The Unfaithful (1947), That Way with Women (1947) and Love and Learn (1947). She was married to Samuel Lefcourt Lanier (born: Lefkovits). She died on September 10, 1988 in St. Johns, Florida, USA.  A popular glamour girl of the late 1940s, she is best remembered as Alice from a number of the 'Joe McDoakes' film shorts. She became a Warner Bros. contract player and made her 1946 silver screen bow in "Her Kind of Man." Jane went on to numerous cinematic appearances including "Deception," "Night and Day," and "Humoresque" (all 1946), while building a following by posing for several 'cheesecake' magazines both domestic and foreign; in 1947 she had her best known film role in "The Unfaithful," also was seen in "Love and Learn," and "Possessed," and made the first of her eight appearances as Alice McDoakes opposite George O'Hanlon as Joe. Jane was last seen on screen in the 1948 film "So You Want to Build a House," then essentially dropped from view. She lived out her remaining days in Florida.

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.