A work in constant progress (and occasional regress).
Camera Operator:
1992 Alyas Pogi 2
2001 The Reaper
Cinematography:
1986 Hayok
1990 Walang Sinasanto ang Bala Ko
1992 Alyas Pogi 2
1993 Ronquillo
1998 Marahas: Walang Kilalang Batas
2001 The Reaper
Director of Photography:
1986 Hayok
1986 No Return No Exchange
1987 Humanda Ka... Ikaw ang Susunod
1990 Walang Sinasanto ang Bala Ko
1991 Kung Patatawarin Ka Ng Bala Ko
1992 Alyas Pogi 2
1992 Mukhang Bungo: Da Coconut Nut
1992 Totoy Buang: Mad Killer ng Maynila
1993 Ronquillo
1996 Ben Balasador: Akin Ang Huling Alas
1997 Frame Up
1997 Totoy Hitman
1998 Marahas: Walang Kilalang Batas
2000 'Di Ko Kayang Tanggapin
2001 The Reaper
First Company Grip:
1985 Anak ng Tondo
1986 Hayok
1986 No Return No Exchange
1987 Humanda Ka... Ikaw ang Susunod
1990 Walang Sinasanto ang Bala Ko
1991 Kung Patatawarin Ka Ng Bala Ko
1992 Alyas Pogi 2
1992 Mukhang Bungo: Da Coconut Nut
1992 Totoy Buang: Mad Killer ng Maynila
1993 Ronquillo
1996 Ben Balasador: Akin Ang Huling Alas
1997 Frame Up
1997 Totoy Hitman
1998 Marahas: Walang Kilalang Batas
2000 'Di Ko Kayang Tanggapin
2001 The Reaper
Screenplay:
1985 Anak ng Tondo
1986 Hayok
1986 No Return No Exchange
1987 Humanda Ka... Ikaw ang Susunod
1990 Masikip na ang Mundo Mo
1990 Walang Sinasanto ang Bala Ko
1991 Kung Patatawarin Ka Ng Bala Ko
1992 Alyas Pogi 2
1992 Mukhang Bungo: Da Coconut Nut
1992 Totoy Buang: Mad Killer ng Maynila
1993 Ronquillo
1996 Ben Balasador: Akin Ang Huling Alas
1997 Frame Up
1997 Totoy Hitman
1998 Marahas: Walang Kilalang Batas
2000 'Di Ko Kayang Tanggapin
2001 The Reaper
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.