A work in constant progress (and occasional regress).
Alias:
Нобору Накамура
Birthplace:
Tokyo, Japan
Born:
August 4, 1913
Died:
May 20, 1981
Noboru Nakamura (中村登, Nakamura Noboru, 4 August 1913 – 20 May 1981) was a Japanese film director and screenwriter. After graduating from the Tokyo Imperial University Faculty of Letters in 1936, Nakamura joined the Shochiku film studios, working as an assistant director for Torajirō Saitō and Yasujirō Shimazu. He debuted as director in 1941 with Life and Rhythm, and finally received recognition with his 1951 film Home Sweet Home. His most noted works include the Yasunari Kawabata adaptation Twin Sisters of Kyoto (1963), The Kii River (1966) and Portrait of Chieko (1967). Both Twin Sisters of Kyoto and Portrait of Chieko were nominated for the Academy Award for Best Foreign Language Film Nakamura was posthumously awarded the Order of the Rising Sun, 4th class.
Director:
1942 Otoko no iki
1951 Home Sweet Home
1952 The Waves
1953 Dreaming People
1953 Natsuko’s Adventure in Hokkaido
1954 Edo no yubae
1955 A Woman's Life
1955 The Mask and Destiny
1957 When It Rains, It Pours
1960 Irohanihoheto
1960 Towering Waves
1961 The Estuary
1961 Women of Tokyo
1962 A Roaring Trade
1962 Flower in a Storm
1962 Kyūjin ryokō
1962 Zoku aizen katsura
1963 Double Wedding
1963 Twin Sisters of Kyoto
1964 Our Happiness Alone
1964 The Shape of Night
1966 The Kii River
1967 Portrait of Chieko
1967 Three Faces of Love
1968 My Destiny
1971 Love and Death
1971 The Earth is Born Again
1973 Love Stopped the Runaway Train
1974 Sanbaba
1979 Nichiren
Screenplay:
1942 Otoko no iki
1951 Home Sweet Home
1952 The Waves
1953 Dreaming People
1953 Natsuko’s Adventure in Hokkaido
1954 Edo no yubae
1955 A Woman's Life
1955 The Mask and Destiny
1957 When It Rains, It Pours
1960 Irohanihoheto
1960 Towering Waves
1961 The Estuary
1961 Women of Tokyo
1962 A Roaring Trade
1962 Flower in a Storm
1962 Kyūjin ryokō
1962 Zoku aizen katsura
1963 Double Wedding
1963 Twin Sisters of Kyoto
1964 Our Happiness Alone
1964 The Shape of Night
1966 The Kii River
1967 Portrait of Chieko
1967 Three Faces of Love
1968 My Destiny
1971 Love and Death
1971 The Earth is Born Again
1973 Love Stopped the Runaway Train
1974 Sanbaba
1979 Nichiren
Writer:
1942 Otoko no iki
1951 Home Sweet Home
1952 The Waves
1953 Dreaming People
1953 Natsuko’s Adventure in Hokkaido
1954 Edo no yubae
1955 A Woman's Life
1955 The Mask and Destiny
1957 When It Rains, It Pours
1960 Irohanihoheto
1960 Towering Waves
1961 The Estuary
1961 Women of Tokyo
1962 A Roaring Trade
1962 Flower in a Storm
1962 Kyūjin ryokō
1962 Zoku aizen katsura
1963 Double Wedding
1963 Twin Sisters of Kyoto
1964 Our Happiness Alone
1964 The Shape of Night
1966 The Kii River
1967 Portrait of Chieko
1967 Three Faces of Love
1968 My Destiny
1971 Love and Death
1971 The Earth is Born Again
1973 Love Stopped the Runaway Train
1974 Sanbaba
1979 Nichiren
Director:
1973 Omoi Bashi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.