A work in constant progress (and occasional regress).
Iconoclastic and indomitable collage artist, Marcos Bertoni has been working on his films –based on subversion and humor banking since he was 18 years old. A multifaceted person, discovered by many people thanks to the movie Avanti Pópolo (Michael Wahrmann, 2012) , is not only a filmmaker, but an architect, sculptor, writer, amateur footballer and a specialist in visual effects for film and TV: he makes the models and mock-ups, the «fake food» of the ads, and has also built objects such as wooden bicycles or reproductions of instruments of the Chinese opera. Bertoni began making films in the late ’70s, driven by the fascination of the projected images and the magic resulting from the contact with celluloid, making films of double and sharp political sense.
Cinematography:
1983 Revolução das Massas
Director:
1980 Sob Nova Direção
1981 Projeção
1983 Revolução das Massas
1986 Sangue de tatu
2002 Recuerdos da República
2002 Tarde de Jazz
2003 Cocô preto
Writer:
1980 Sob Nova Direção
1981 Projeção
1983 Revolução das Massas
1986 Sangue de tatu
2002 Recuerdos da República
2002 Tarde de Jazz
2003 Cocô preto
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.