A work in constant progress (and occasional regress).
Alias:
Lloyd M. Williams
Lloyd Williams
Birthplace:
Brooklyn, New York, USA
Born:
January 1, 1940
Lloyd Michael Williams (born in 1940) is an American experimental filmmaker from Brooklyn, New York. His first interest in motion was with marionettes. He became involved with photography and by the time he was thirteen was making films. During high school Lloyd was an usher at Cinema 16 in New York City, the only venue exhibiting 16mm experimental movies. Inspired by the poem by Lewis Carroll, and the work he was seeing, Lloyd made "Jabberwock" and won the Silver Medallion at the Cannes Film Festival, 1959. Lloyd entered New York University majoring in Film, Television & Radio. "They’re Off" was made at the NYU Summer Motion Picture Workshop, which Lloyd directed in 1959. In 1960 Lloyd worked with Mary Ellen Bute on "The Boy with Green Hair." He produced "Ursula" while he was a student and won the Bronze Medallion at Cannes in 1961. "The Creation" is more directed at radio and television commercials than at religion, it points out mankind’s blind belief in both. After graduating in 1962, Lloyd moved to Chicago to work for the Fred Niles Film Company. He was an assistant director for TV commercials for many familiar household products. Returning to New York, he worked for Ogilvy Benson & Mather, an advertising agency on Madison Avenue. Lloyd designed commercial story boards and became an assistant producer of television commercials, and a member of the Directors Guild of America. In 1964 Lloyd won a Fulbright to study cinematography in France and while in Paris began shooting sequences for "Line of Apogee." Electronic music pioneer Vladimir Ussachevsky thought so much of the film he composed the original electronic score. In 1975 Suzanne Ciani, famous for the electronic sound heard around the world, the Coca Cola Pop ‘n Pour, composed the soundtrack for "Rainbow’s Children." In the mid seventies Lloyd served as cinematographer for Rosa Von Praunheim and began shooting film with his protégé, Adrian Salsgiver. But in 1979, Lloyd’s Bolex movie camera was stolen. Lloyd picked up a Bolex again in 1997 to act as cinematographer for Adrian. Adrian taught himself computer film editing and used Lloyd's old and new film to create "Rainbow’s Child," completed in 2001. In 2003, Lloyd and Adrian collaborated on a digital movie, The Kingdom of UUFH, documenting the 31st and final Renaissance Faire of Huntington, NY. Lloyd made other 16mm films not yet digitized. Special thanks to Jonas Mekas for the safekeeping of Lloyd’s films. Lloyd lives on Long Island and is an active member of the New American Cinema Group.
Director:
1957 Les Poissons
1959 Jabberwock
1959 They're Off
1961 Ursula
1962 Opus #5
1964 Wipes
1965 The Creation
1967 For Life, Against the War
1967 Line of Apogee
1969 Two Images For a Computer Piece (With an Interlude)
1975 Rainbow's Children
2003 Experiments in Terror
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.