Shaan Sharma

Birthplace:
Minneapolis, Minnesota, USA

Shaan Sharma is a working commercial and theatrical SAG-AFTRA Actor, booking over 30 top network TV shows and films, and 20 national commercials in the last 4 years, a top Casting Session Director for 45 L.A. Casting Directors over 9 years, casting 400+ projects, a Backstage Expert Contributing Writer with 50+ published advice articles for actors, author of acclaimed book, “Commercial Acting in L.A.: A Session Director’s Guide.” Available at Samuel French and everywhere online, on-camera acting teacher and private coach at two studios in Los Angeles: Shaan Sharma On-Camera Acting Studio, and Westside On-Camera Acting Studio, co-Founded and in partnership with veteran Casting Director Gabrielle Schary, lead educator for SAG-AFTRA Los Angeles Member Education, SAG-AFTRA Los Angeles Conservatory Committee Member - head of commercial programming, and a guest lecturer for the University of Southern California’s School of Dramatic Arts.  Shaan started acting in his home state of Minnesota, where he booked over one hundred on-camera projects and four national commercials before relocating to Los Angeles in 2007. While In Minnesota, Shaan was best known for his passion for protecting aspiring talent from scams and exploitation through the Fresh Face Showcase ('03-'06), an annual fashion, modeling, acting, music, and dance event with the mission to spread awareness on how to safely enter the talent business.  In Los Angeles, Shaan has quickly grown into one of the most respected and sought-after educators for on-camera acting craft, acting business knowledge, career strategy, and casting direction. Very few acting coaches are also a casting professional, working actor, and a consistently published writer about all things acting-related.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.