Scott Fredericks (1943-2017)

Born:
March 15, 1943

Died:
November 6, 2017

Scott Fredericks (born Frederick Wehrly; 15 March 1943 – 6 November 2017) was an Irish actor best known for his roles on British television.  Fredericks was born in Strandhill, County Sligo to Edward Wehrly (d. 2001), a jewellery businessman (Wehrly Bros Limited) of German descent, and Ann (née Shaw).  He left Sligo when he won a scholarship to train at RADA in London, and later adopted the name Scott Fredericks.  Scott Fredericks began his acting career with stage roles at the Chesterfield Repertory. He later worked with director Peter Brook and appeared in West End theatre productions of Antony and Cleopatra (as Mark Antony) and in Becket (as Henry II of England).  After appearing in the television soap opera Crossroads, Scott Fredericks went on to appear in a number of British television programmes in the 1960s, 70s and 1980s, including Z-Cars, Sutherland's Law, Dixon of Dock Green, Blake's 7 (episode "Weapon"), and Triangle. He made two appearances in the Doctor Who, in the serials Day of the Daleks (as Boaz) and Image of the Fendahl (as Max Stael). He also appeared in a 1981 episode of the ITV television police drama, Cribb ("The Hand That Rocks the Cradle") playing Prince Henry of Battenberg.  Fredericks also appeared in such feature films as Dad's Army (1971), See No Evil (1971) and Cal (1984). Whilst working in cinema productions, he once played a game of billiards with Fred Astaire. More recently, he appeared as a regular character in the Irish soap Fair City, as well as spending his time as a radio producer and director in his native Ireland.  Fredericks's stage career included leading roles in the Gate Theatre, Dublin, a long run of Peg o’ My Heart by J. Hartley Manners, and in stage adaptations of Cal and Caught in a Free State with the newly created Irish Theatre Company. For his solo stage show Yeats Remembers Fredericks was awarded the J.J. Finnegan Evening Herald Award in 1980.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.