A work in constant progress (and occasional regress).
Alias:
Ignacio Vigalondo Palacios
Начо Вигалондо
Birthplace:
Cabezón de la Sal, Cantabria, Spain
Born:
April 6, 1977
Ignacio Vigalondo Palacios (born 6 April 1977), better known as Nacho Vigalondo, is a Spanish filmmaker. Vigalondo's first film was the 2003 Spanish-language short film 7:35 in the Morning, about a suicide bomber who terrorizes a cafe, which was only eight minutes long. The film won significant accolades: it was nominated for an Academy Award for Best Short Film, got another Best Short Film Award nomination at the European Film Awards, and received the Bronze Moon of Valencia at the Cinema Jove – Valencia International Film Festival, and the Prix UIP Drama at the Drama Short Film Festival. He finished his first full length feature film, Los Cronocrímenes (English title: Timecrimes), in 2007, in which he also co-starred. Vigalondo's next film was the 2011 Spanish-language alien invasion film Extraterrestre. In 2011, it was reported that Vigalondo was recruited to direct a film adaptation of Mark Millar's Supercrooks. From 2012 to 2014 he wrote and directed a segment in three different anthology horror films: The ABCs of Death, The Profane Exhibit, and VHS: Viral. In 2014 he also released Open Windows, a techno-thriller film that marked his English-language debut. Vigalondo's most recent film is Colossal, which he wrote and directed. The film is a twist on the Kaiju genre and an homage to the Godzilla franchise. Before starting production on Colossal, Vigalondo described his plan as to make a serious film with "old school" practical effects on a low budget Vigalondo's latest directorial effort is the Hulu original film Pooka, released December 2018 in the Into the Dark series.
Adaptation:
2022 The Comeback
Director:
1999 Una lección de cine
2002 Código 7
2003 7:35 in the Morning
2005 Choque
2007 Cambiar el Mundo
2007 Cháchara
2007 Domingo
2007 Timecrimes
2009 Marisa
2010 Tres Relatos de Ciencia Ficción
2011 Extraterrestrial
2013 A is for Apocalypse
2013 Carlota
2013 Mundos virtuales
2013 The 3:07 AM Project
2013 The ABCs of Death
2013 The Profane Exhibit
2014 Confetti of the Mind: The Short Films of Nacho Vigolondo
2014 Open Windows
2014 V/H/S: Viral
2017 Colossal
2018 Pooka!
2022 The Alarm
2022 The Comeback
2025 Daniela Forever
Executive Producer:
1999 Una lección de cine
2002 Código 7
2003 7:35 in the Morning
2005 Choque
2007 Cambiar el Mundo
2007 Cháchara
2007 Domingo
2007 Timecrimes
2009 Marisa
2010 Tres Relatos de Ciencia Ficción
2011 Extraterrestrial
2013 A is for Apocalypse
2013 Carlota
2013 Mundos virtuales
2013 The 3:07 AM Project
2013 The ABCs of Death
2013 The Profane Exhibit
2014 Confetti of the Mind: The Short Films of Nacho Vigolondo
2014 Open Windows
2014 V/H/S: Viral
2017 Colossal
2018 Pooka!
2022 The Alarm
2022 The Comeback
2025 Daniela Forever
Producer:
1999 Una lección de cine
2002 Código 7
2003 7:35 in the Morning
2005 Choque
2007 Cambiar el Mundo
2007 Cháchara
2007 Domingo
2007 Timecrimes
2009 Marisa
2010 Tres Relatos de Ciencia Ficción
2011 Extraterrestrial
2013 A is for Apocalypse
2013 Carlota
2013 Mundos virtuales
2013 The 3:07 AM Project
2013 The ABCs of Death
2013 The Profane Exhibit
2014 Confetti of the Mind: The Short Films of Nacho Vigolondo
2014 Open Windows
2014 V/H/S: Viral
2017 Colossal
2018 Pooka!
2022 The Alarm
2022 The Comeback
2025 Daniela Forever
Screenplay:
1999 Una lección de cine
2002 Código 7
2003 7:35 in the Morning
2003 Pornografía
2005 Choque
2007 Cambiar el Mundo
2007 Cháchara
2007 Domingo
2007 Timecrimes
2009 Marisa
2010 Tres Relatos de Ciencia Ficción
2011 Extraterrestrial
2013 A is for Apocalypse
2013 Carlota
2013 Mundos virtuales
2013 The 3:07 AM Project
2013 The ABCs of Death
2013 The Profane Exhibit
2014 Confetti of the Mind: The Short Films of Nacho Vigolondo
2014 Open Windows
2014 V/H/S: Viral
2017 Colossal
2018 Pooka!
2019 Paradise Hills
2022 The Alarm
2022 The Comeback
2025 Daniela Forever
Writer:
1999 Una lección de cine
2002 Código 7
2003 7:35 in the Morning
2003 El Tren de la Bruja
2003 Pornografía
2005 Choque
2007 Cambiar el Mundo
2007 Cháchara
2007 Domingo
2007 Las aventuras galácticas de Jaime de Funes y Arancha
2007 Timecrimes
2008 The One in Charge
2009 Marisa
2010 Tres Relatos de Ciencia Ficción
2011 Extraterrestrial
2013 A is for Apocalypse
2013 Carlota
2013 Mundos virtuales
2013 The 3:07 AM Project
2013 The ABCs of Death
2013 The Profane Exhibit
2014 Confetti of the Mind: The Short Films of Nacho Vigolondo
2014 Open Windows
2014 V/H/S: Viral
2017 Colossal
2018 Pooka!
2019 Paradise Hills
2022 The Alarm
2022 The Comeback
2025 Daniela Forever
Creator:
2019 Justo antes de Cristo
???? Superestar
Director:
2019 Justo antes de Cristo
2019 The Neighbor
2021 Stories to Stay Awake
2022 Our Flag Means Death
???? Superestar
Writer:
2019 Justo antes de Cristo
2019 The Neighbor
2021 Stories to Stay Awake
2022 Our Flag Means Death
2023 The Messiah
???? Superestar
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.