A work in constant progress (and occasional regress).
Alias:
Rasool Sadr Ameli
Rasool Sadrameli
Rasul Sadr Ameli
رسول صدرعاملی
Birthplace:
Isfahan, Iran
Born:
December 13, 1954
Rasoul Sadrameli (رسول صدرعاملی) was born in December 1954 in Isfahan, Iran. The Managing Director of MILAD FILM (established in 1979, the first company in distribution and production of Iranian films after revolution) began his journalism career while he was just 17, and he collaborated with Etela'at Newspaper as reporter, story writer and editor of Incident page and then as the Editor of Parliamentary Service. He studied sociology at Paul Valéry university of Montpellier in France. He began his professional activities in the Cinema by production of a film entitled Blood Raining in 1981. This film is the first cinematic project after revolution.
Director:
1984 Chrysanthemum
1987 Autumn
1991 The Sacrifice
1999 The Girl in the Sneakers
2002 I'm Taraneh, 15
2005 I Saw Your Dad Last Night, Aida
2007 Every night loneliness
2007 The Night
2010 Life with Closed Eyes
2019 My Second Year in College
Producer:
1984 Chrysanthemum
1987 Autumn
1991 The Sacrifice
1999 The Girl in the Sneakers
2002 I'm Taraneh, 15
2004 The Winning Card
2005 I Saw Your Dad Last Night, Aida
2007 Every night loneliness
2007 The Night
2010 Life with Closed Eyes
2019 My Second Year in College
2020 Butterfly Stroke
2023 The Orange Forest
Writer:
1984 Chrysanthemum
1987 Autumn
1991 The Sacrifice
1995 I Want To Be Alive
1999 The Girl in the Sneakers
2002 I'm Taraneh, 15
2004 The Winning Card
2005 I Saw Your Dad Last Night, Aida
2007 Every night loneliness
2007 The Night
2010 Life with Closed Eyes
2019 My Second Year in College
2020 Butterfly Stroke
2023 The Orange Forest
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.