A work in constant progress (and occasional regress).
Birthplace:
Tunja, Boyacá, Colombia
Born:
January 1, 1980
Rubén Mendoza was born in 1980. Director and screenwriter of eight short films, as well as editor of the latest films by renowned filmmaker Luis Ospina. His debut feature La sociedad del semáforo, won more than 15 international awards including, in its development stage, the Carolina Foundation Screenwriting Grant, the Screenwriting Stimulus from the Colombian Film Development Fund (FDC), a grant to attend the TYPA Foundation's screenwriting lab in Colón, Argentina, the Amiens Festival Award for Project Development and the Ibermedia Program's Stimulus for Project Development.
Director:
2004 The Fence
2010 La sociedad del semáforo
2014 Dust on the Tongue
2014 Memories of a Vagabond
2014 Montañita
2015 The shadowless valley
2017 Miss María, Skirting the Mountain
2018 Cita con la trocha
2019 Wandering Girl
Director of Photography:
2004 The Fence
2010 La sociedad del semáforo
2014 Dust on the Tongue
2014 Memories of a Vagabond
2014 Montañita
2015 The shadowless valley
2017 Miss María, Skirting the Mountain
2018 Cita con la trocha
2019 Wandering Girl
Editor:
2004 The Fence
2008 A Paper Tiger
2010 La sociedad del semáforo
2014 Dust on the Tongue
2014 Memories of a Vagabond
2014 Montañita
2015 The shadowless valley
2017 Miss María, Skirting the Mountain
2018 Cita con la trocha
2019 Wandering Girl
???? De(s)amparo, polifonía familiar
Editorial Consultant:
2004 The Fence
2008 A Paper Tiger
2010 La sociedad del semáforo
2014 Dust on the Tongue
2014 Memories of a Vagabond
2014 Montañita
2015 The shadowless valley
2017 Miss María, Skirting the Mountain
2018 Cita con la trocha
2019 Wandering Girl
2020 Invisible River
???? De(s)amparo, polifonía familiar
Producer:
2004 The Fence
2008 A Paper Tiger
2010 La sociedad del semáforo
2014 Dust on the Tongue
2014 Memories of a Vagabond
2014 Montañita
2015 The shadowless valley
2017 Miss María, Skirting the Mountain
2018 Cita con la trocha
2019 Wandering Girl
2020 Invisible River
???? De(s)amparo, polifonía familiar
Screenplay:
2004 The Fence
2008 A Paper Tiger
2010 La sociedad del semáforo
2014 Dust on the Tongue
2014 Memories of a Vagabond
2014 Montañita
2015 The shadowless valley
2017 Miss María, Skirting the Mountain
2018 Cita con la trocha
2019 Wandering Girl
2020 Invisible River
???? De(s)amparo, polifonía familiar
Sound Design Assistant:
2004 The Fence
2008 A Paper Tiger
2010 La sociedad del semáforo
2014 Dust on the Tongue
2014 Memories of a Vagabond
2014 Montañita
2015 The shadowless valley
2017 Miss María, Skirting the Mountain
2018 Cita con la trocha
2019 Wandering Girl
2020 Invisible River
???? De(s)amparo, polifonía familiar
Sound Director:
2004 The Fence
2008 A Paper Tiger
2010 La sociedad del semáforo
2014 Dust on the Tongue
2014 Memories of a Vagabond
2014 Montañita
2015 The shadowless valley
2017 Miss María, Skirting the Mountain
2018 Cita con la trocha
2019 Wandering Girl
2020 Invisible River
???? De(s)amparo, polifonía familiar
Writer:
2004 The Fence
2008 A Paper Tiger
2010 La sociedad del semáforo
2014 Dust on the Tongue
2014 Memories of a Vagabond
2014 Montañita
2015 The shadowless valley
2017 Miss María, Skirting the Mountain
2018 Cita con la trocha
2019 Wandering Girl
2020 Invisible River
???? De(s)amparo, polifonía familiar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.