A work in constant progress (and occasional regress).
Birthplace:
São Paulo, São Paulo, Brazil
Born:
November 25, 1977
Joel Caetano is the director of short films in Brazil and abroad as “GATO”, which won the Best Latin American Short Film Award at Montevideo Fantástico in 2010 and “ENCOSTO”, a film that has shot in over 70 festivals in 20 different countries.
Art Direction:
2018 Casulos
Assistant Director:
2013 Dark Sea
2015 Dark Fables
2018 Casulos
Cinematography:
2012 D.R.
2013 Dark Sea
2015 Dark Fables
2018 Casulos
Director:
2006 Minha Esposa é um Zumbi
2009 Gato
2012 D.R.
2013 Dark Sea
2013 Encosto
2015 A Loira do Banheiro
2015 Dark Fables
2015 Judas
2018 Casulos
2018 Inside
2018 Scratches
2019 Cova Humana
2021 Missão Berço Esplêndido
2023 Arapuca
Director of Photography:
2006 Minha Esposa é um Zumbi
2009 Gato
2012 D.R.
2013 Dark Sea
2013 Encosto
2015 A Loira do Banheiro
2015 Dark Fables
2015 Judas
2018 Casulos
2018 Inside
2018 Scratches
2019 Cova Humana
2021 Missão Berço Esplêndido
2023 Arapuca
Editor:
2006 Minha Esposa é um Zumbi
2009 Gato
2012 D.R.
2013 Dark Sea
2013 Encosto
2015 A Loira do Banheiro
2015 Dark Fables
2015 Judas
2015 O Saci
2018 A Manicure
2018 Casulos
2018 Inside
2018 Scratches
2019 Cova Humana
2021 Missão Berço Esplêndido
2023 Arapuca
Executive Producer:
2006 Minha Esposa é um Zumbi
2009 Gato
2012 D.R.
2013 Dark Sea
2013 Encosto
2015 A Loira do Banheiro
2015 Dark Fables
2015 Judas
2015 O Saci
2018 A Manicure
2018 Casulos
2018 Inside
2018 Scratches
2019 Cova Humana
2021 Missão Berço Esplêndido
2023 Arapuca
Producer:
2006 Minha Esposa é um Zumbi
2009 Gato
2012 D.R.
2013 Dark Sea
2013 Encosto
2015 A Loira do Banheiro
2015 Dark Fables
2015 Judas
2015 O Saci
2018 A Manicure
2018 Casulos
2018 Inside
2018 Scratches
2019 Cova Humana
2021 Missão Berço Esplêndido
2023 Arapuca
Screenplay:
2006 Minha Esposa é um Zumbi
2009 Gato
2012 D.R.
2013 Dark Sea
2013 Encosto
2015 A Loira do Banheiro
2015 Dark Fables
2015 Judas
2015 O Saci
2018 A Manicure
2018 Casulos
2018 Inside
2018 Scratches
2019 Cova Humana
2021 Missão Berço Esplêndido
2023 Arapuca
Sound:
2006 Minha Esposa é um Zumbi
2009 Gato
2012 D.R.
2013 Dark Sea
2013 Encosto
2015 A Loira do Banheiro
2015 Dark Fables
2015 Judas
2015 O Saci
2018 A Manicure
2018 Casulos
2018 Inside
2018 Scratches
2019 Cova Humana
2021 Missão Berço Esplêndido
2023 Arapuca
Special Effects:
2006 Minha Esposa é um Zumbi
2009 Gato
2012 D.R.
2013 Dark Sea
2013 Encosto
2015 A Loira do Banheiro
2015 Dark Fables
2015 Judas
2015 O Saci
2018 A Manicure
2018 Casulos
2018 Inside
2018 Scratches
2019 Cova Humana
2020 Cemetery of Lost Souls
2021 Missão Berço Esplêndido
2023 Arapuca
Writer:
2006 Minha Esposa é um Zumbi
2009 Gato
2012 D.R.
2013 Dark Sea
2013 Encosto
2015 A Loira do Banheiro
2015 Dark Fables
2015 Judas
2015 O Saci
2018 A Manicure
2018 Casulos
2018 Inside
2018 Scratches
2019 Cova Humana
2020 Cemetery of Lost Souls
2021 Missão Berço Esplêndido
2023 Arapuca
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.