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Camilo Bevilacqua (b. 1949)

Alias:
Camilo Bevilaqua
Camilo Bevilácqua
Camilo Beviláqua

Birthplace:
Gaurama, Rio Grande do Sul, Brazil

Born:
September 11, 1949

Biography from TheMovieDB

Camilo Bevilacqua (Gaurama, September 11, 1949) is a Brazilian actor and director.  He began his career in 1968 in Porto Alegre, with the piece Pique Nique no Front, by Fernando Arrabal. Because of the repression of the lead years, he entered the School of Theater of the Federal University of Rio Grande do Sul (UFRGS), in the course of dramatic art, in 1970. In college he made important pieces, such as A Lição, by Ionesco, Vestido de Bride, by Nelson Rodrigues and Hamlet, by William Shakespeare. In 1973 he won the MUTEPLA prize with the monologue The Malicious Effects of Smoking, by Anton Tchecov.  In 1975 he was chosen to play the title role of Mockinpot, by Peter Weiss, work with which he traveled throughout Brazil, when he settled in Rio de Janeiro, where he lives to this day. He has participated in 45 plays.  On television, he has made miniseries and soap operas at Rede Globo. His last work on television was the character Jorge in Malhação.  From Wikipedia, the free encyclopedia

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Film Performances

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Director:
2013  Bianca

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TV Performances

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About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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