Paulo Castilho

Additional information:

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Cinematography:
2013  Far from Eden
2019  Quero-te Tanto!
2024  The Shrovetide Devil

Co-Producer:
2013  Far from Eden
2015  Yulya
2019  Quero-te Tanto!
2024  The Shrovetide Devil

Director:
2012  The Kingdom
2013  Far from Eden
2015  Yulya
2019  Quero-te Tanto!
2024  The Shrovetide Devil

Director of Photography:
2010  Embargo
2010  Hepicat
2012  Posfácio at the Clothing Factory
2012  The Kingdom
2013  Far from Eden
2015  Yulya
2018  The Dead Queen
2019  Quero-te Tanto!
2020  The Art of Dying Far Away
2021  Cassandra Bitter Tongue
2021  Shadow
2022  João Ayres, an Independent Painter
2023  Bela America
2023  Maria
2024  O Anel
2024  The Shrovetide Devil

Lighting Director:
2009  Intervalo
2010  Embargo
2010  Hepicat
2012  Posfácio at the Clothing Factory
2012  The Kingdom
2013  Far from Eden
2015  Yulya
2018  The Dead Queen
2019  Quero-te Tanto!
2020  The Art of Dying Far Away
2021  Cassandra Bitter Tongue
2021  Shadow
2022  João Ayres, an Independent Painter
2023  Bela America
2023  Maria
2024  O Anel
2024  The Shrovetide Devil

Lighting Technician:
2009  El Justiciero
2009  Intervalo
2010  Embargo
2010  Hepicat
2011  We Are Free
2012  Posfácio at the Clothing Factory
2012  The Kingdom
2013  Far from Eden
2015  Yulya
2018  The Dead Queen
2019  Quero-te Tanto!
2020  The Art of Dying Far Away
2021  Cassandra Bitter Tongue
2021  Shadow
2022  João Ayres, an Independent Painter
2023  Bela America
2023  Maria
2024  O Anel
2024  The Shrovetide Devil

Producer:
2009  El Justiciero
2009  Intervalo
2010  Embargo
2010  Hepicat
2011  We Are Free
2012  Posfácio at the Clothing Factory
2012  The Kingdom
2013  Far from Eden
2015  I'd Rather Not Say
2015  Yulya
2018  The Dead Queen
2019  Quero-te Tanto!
2020  The Art of Dying Far Away
2021  Cassandra Bitter Tongue
2021  Shadow
2022  João Ayres, an Independent Painter
2023  Bela America
2023  Maria
2024  O Anel
2024  The Shrovetide Devil

Cinematography:
2021  Pôr do Sol

Director of Photography:
2021  Pôr do Sol

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.