A work in constant progress (and occasional regress).
Co-Producer:
2016 The Stakelander
2022 Sniper: Rogue Mission
Editor:
2014 WolfCop
2016 The Stakelander
2022 Sniper: Rogue Mission
Executive Producer:
2012 The Tall Man
2014 WolfCop
2015 Basic Human Needs
2015 Forsaken
2016 The Stakelander
2022 Sniper: Rogue Mission
Line Producer:
2012 The Tall Man
2014 WolfCop
2015 Basic Human Needs
2015 Forsaken
2016 A.R.C.H.I.E.
2016 The Stakelander
2017 The Adventure Club
2018 Distorted
2019 Daughter of the Wolf
2020 We Summon the Darkness
2021 Dangerous
2021 Flag Day
2022 Sniper: Rogue Mission
2022 The Disappearance of Cari Farver
2024 Die Alone
2024 Ordinary Angels
Producer:
2012 The Tall Man
2013 13 Eerie
2013 Stranded
2014 WolfCop
2015 Basic Human Needs
2015 Forsaken
2016 A.R.C.H.I.E.
2016 The Stakelander
2017 The Adventure Club
2018 A.R.C.H.I.E. 2: Mission Impawsible
2018 Distorted
2019 Daughter of the Wolf
2020 We Summon the Darkness
2021 Dangerous
2021 Flag Day
2022 Sniper: Rogue Mission
2022 The Disappearance of Cari Farver
2024 Die Alone
2024 Ordinary Angels
Production Manager:
2012 The Tall Man
2013 13 Eerie
2013 Stranded
2014 WolfCop
2015 Basic Human Needs
2015 Forsaken
2016 A.R.C.H.I.E.
2016 The Stakelander
2017 The Adventure Club
2018 A.R.C.H.I.E. 2: Mission Impawsible
2018 Distorted
2019 A Score to Settle
2019 Daughter of the Wolf
2019 Radio Christmas
2020 Endless
2020 We Summon the Darkness
2021 Dangerous
2021 Flag Day
2022 Sniper: Rogue Mission
2022 The Disappearance of Cari Farver
2024 Die Alone
2024 Ordinary Angels
2024 Time Cut
???? Altar
Unit Production Manager:
2012 The Tall Man
2013 13 Eerie
2013 Stranded
2014 WolfCop
2015 Basic Human Needs
2015 Forsaken
2016 A.R.C.H.I.E.
2016 The Stakelander
2017 The Adventure Club
2018 A.R.C.H.I.E. 2: Mission Impawsible
2018 Distorted
2019 A Score to Settle
2019 Daughter of the Wolf
2019 Radio Christmas
2020 Endless
2020 We Summon the Darkness
2021 Dangerous
2021 Flag Day
2022 Sniper: Rogue Mission
2022 The Disappearance of Cari Farver
2024 Die Alone
2024 Ordinary Angels
2024 Time Cut
???? Altar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.