A work in constant progress (and occasional regress).
Alias:
Cheung Ging-Wai
King-Wai Cheung
Born:
January 1, 1968
Cheung King-Wai (張經緯) is a Hong Kong film director and scriptwriter. He studied Music, Philosophy and Film at The City University of New York. In 2001, his graduation projects, Farewell Hong Kong, was shown at the Sundance Film Festival. In 2008, his first feature-length documentary, All’s Right with the World (歌舞昇平) screened at the Hong Kong International Film Festival. In 2009, his second documentary KJ: Music and Life (音樂人生) won him the Best New Director prize at the 29th Hong Kong Film Awards, and Best Documentary, Best Editing and Best Sound Effect at the Golden Horse Awards. In 2011, his third documentary feature One Nation, Two Cities (一國雙城) screened at the Hong Kong International Film Festival and had a five months theater run. In 2016, he released his fourth documentary feature, The Taste of Youth (少年滋味). Apart for his documentary work, he also directed fiction short films including Crimson Jade (墨綠嫣紅) in 2010 and The Waves (驚濤洶湧) in 2012. In 2018, he directed his full-length feature debut, Somewhere Beyond the Mist (藍天白雲).
Director:
2007 All's Right With The World
2009 KJ: Music and Life
2011 One Nation, Two Cities
2016 The Taste of Youth
2018 Somewhere Beyond the Mist
???? Crimson Jade
Screenplay:
2007 All's Right With The World
2009 KJ: Music and Life
2009 Night and Fog
2011 One Nation, Two Cities
2016 The Taste of Youth
2018 Somewhere Beyond the Mist
???? Crimson Jade
Writer:
2007 All's Right With The World
2009 KJ: Music and Life
2009 Night and Fog
2011 One Nation, Two Cities
2016 The Taste of Youth
2018 Somewhere Beyond the Mist
???? Crimson Jade
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.