A work in constant progress (and occasional regress).
Birthplace:
Santa Monica, California, U.S.
Born:
August 1, 1954
Frederick Keeve has been writing most of his life, either for pleasure, academically or professionally for the entertainment business. His first short story, The Lost Island, was published in a limited edition when he was in sixth grade. He has also been making films since he was 10-years-old, growing up in Santa Monica, with his brother, Douglas Keeve, who is a writer/director living in New York. Keeve's first film was Maxine Waters EPC, starring Edward Alan Young. This was a documentary about an employment preparation center in in South Central Los Angeles seen by hundreds of thousands of viewers on KCET public television. Keeve also produced, wrote, directed and composed the score for the award-winning From Russia to Hollywood: The 100-Year Odyssey of Chekhov and Shdanoff, which featured many award-winning and nominated actors such as Gregory Peck (in his last screen role), Jack Palance, Patricia Neal, Anthony Quinn, Robert Stack, Leslie Caron, Beatrice Straight, Sharon Gless, Lloyd Bridges and many more, closing the Hollywood Film Festival and garnering rave reviews in Variety. Keeve has optioned and developed screenplays from best-selling novels by noted writers such as Edgar winner T. Jefferson Parker and Pulitzer-nominated author Bill Granger. He has previously developed a slate of eight independent feature films with budgets ranging from $2.5M to $20M with Sonny Ritscher, Chief Controller for mega-budget films at both Warner Bros. and 20th Century Fox (Watchmen, Green Lantern, Unfaithful). Keeve is a sought-after script doctor and enjoys writing screenplay coverage. He was hired to adapt a vampire novel, Vengeance Comes, for the screen. Keeve is an accomplished musician, music director, accompanist, and composer. He wrote the book, music and lyrics for the original musical Three: Songs from the Heart, produced in Los Angeles under the auspices of the Festival of New American Musicals. The musical featured Broadway caliber talent: Ilene Graff (On Broadway: Promises, Promises, I Love My Wife, Grease), Marcus Choi (Hamilton), and was directed by Lance Roberts (On Broadway: The Pee-Wee Herman Show, Sister Act, Ghost, My Fair Lady). He has also recently organized and implemented two road shows for 100 actors in Salt Lake City with noted Hollywood Talent Agents and Casting Directors.
Director:
2002 From Russia to Hollywood: The 100-Year Odyssey of Chekhov and Shdanoff
2019 The Accompanist
Producer:
2002 From Russia to Hollywood: The 100-Year Odyssey of Chekhov and Shdanoff
2003 Small Town Conspiracy
2019 The Accompanist
Writer:
2002 From Russia to Hollywood: The 100-Year Odyssey of Chekhov and Shdanoff
2003 Small Town Conspiracy
2019 The Accompanist
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.